Pink tulips on toned tan sketch paper. This was my first time burnishing. I used the toned tan paper so that I could better see the effects of burnishing with a white pencil. I used Prismacolor soft core pencils.
Over a year ago, I finished my Robin Williams portrait, and I decided I wanted to create a series of different black and white portraits. So far, this is the happiest I've been with a piece in a while. There's no expectation, there's no real pressure on this, it's me falling in love with painting again. I've only been working on this for a week, so there isn't a ton of progress. I suppose I'll reveal who the person is later once more progress is made but for now, enjoy.
I haven't drawn him in a long while,he's actually easier to draw than other of my demon OC's it's just that I need to practice anatomy to draw a full character sheet of him.i drew his head too big I think maybe it's just his hair or how his other shoulder isn't visible nonetheless I finally drew him (I can't draw him with a crown because I haven't designed one for him yet) I may or may not finish this at all
So I've really been trying to raise my digital art game because I've been a traditional artist most of my life. I'm trying to reach Loish level with color at least. Also, I love the fall season and the chill in the air it brings
I'm really proud and content with this drawing and the outcome :) considering it took me 4 days to finish and I don't usually draw backgrounds.i finally gave Mevlon a simple yet suitable outfit that matches his personality,he's the only 15-year old office clerk at his acedemy which means he is a meticulous,stern workaholic who never goes to classes with 10th grade students (he usually doesn't leave his office only when it's break time or when's it's time to go home)He is very fond of Vance,he considers him his best friend but he dislikes Morrison and Sidney (Vance's friends)they both share a youthful appearance too mainly Mevlon with having a large head,large eyes and a small stature (4'8,Vance is 5'2) despite being teenagers.
This painting is basically for Janamashtmi and I have made Lord Krishna in it... And people here in India celebrate it really beautifully as today is the day he was born (^‿^) Happy Janamashtmi to everyone ✧◝(⁰▿⁰)◜✧
Oh boy, markers (NOT a go-to), least favorite color, and a subject that isn’t on my radar. This was a hard one what with 3 negatives going for it. But, hey, it’s a challenge, right?
Choosing a subject came first….we have a house full of Indonesian masks and sculptures. (My husband studied gamelon music in Indonesia.) Garuda, the “mount” of Vishnu and popular with Balinese artists seemed a good choice, esp. since he can be green, red, yellow or orange.
I rarely choose yellow/orange for anything---artwork, décor, clothing...though I do have a soft spot for sunflowers.
First I drew a bunch of images based on one of our wooden Garuda sculptures and then made a simplified marking pen outline and colored it with markers.
I wish I had more time to redraw this, I'm learning construction with this piece. While I'm satisfied that I have made improvements in learning about the human form, this still just looks bad. Due to lack of time, and practice. I'll get better with time and patience.
This was painted shortly after the peregrine painting. The peregrine was given to a raffle, and the winner of that painting purchased this one when it was finished.
A flock of pelicans with their beaks open waiting for fishermen to throw out tasty morsels. I drew this from a photo I took last month, from a coastal vacation. India Inks and watercolours.
Public art show "Cruisin the Square" for our town, Pontiac, IL. Local artists were given a fiberglass car or truck to alter as they wished. I turned mine into what might happen if I journaled on my car as I traveled Route 66.
Imperfect Lines, Honest Presence
This sketch is not perfect—and that’s exactly why it’s alive. The bold figure, the dissolving hat, the tilted chair: all of it feels unfinished, fleeting, caught in motion. It’s what the Japanese call wabi-sabi—finding beauty in the imperfect, the impermanent, the incomplete.
But there’s something deeper here too. A quick sketch is not just what the eye records. It’s what the soul permits. To draw without fixing, without polishing, is to admit the world will not hold still for us. Life slips past. The lines break off. And yet, somehow, the essence remains.
When you sketch this way, you are not the master of the moment—you are its guest. The pencil does not carve permanence; it pays attention. The act of drawing becomes an act of being present, of honoring what is already vanishing.
So here’s a challenge: grab a pencil and sketch someone near you in sixty seconds. Do not erase. Do not perfect. Let the lines falter. When you finish, ask yourself: What truth did the imperfection reveal?
Perhaps presence itself is the real art.
