Progression 4 of 6. Here the drawing starts to come together. I built on the layers I put down in the earlier portions of the drawing. Spent some time on the beard and mouth.
Streetstyle from Helsinki Finland. You know the Moomin tales by Tove Jansson. The friend of Moomin is Snufkin. A wanderer that has all the belongings with him. This fellow feels like real life Snufkin.
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
