Truman Capote (1924–1984)
He compulsively added numbers in his head, refusing to dial a telephone number or accept a hotel room if the digits made a sum he considered unlucky.
“It’s endless, the things I can’t and won’t,” he said. “But I derive some curious comfort from obeying these primitive concepts.”
- From Daily Rituals: How Artists Work by Mason Currey
“Life is a moderately good play with a badly written third act.”
― Truman Capote
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I forgot to post it here. I got better at drawing her. I tried a more '80s anime style recently but will keep at this style since that's how I draw. I love her even though she's not intended to be a main character
Woody Allen (b. 1935)
I’ve found over the years that any momentary change stimulates a fresh burst of mental energy. So if I’m in this room and then I go into the other room, it helps me. If I go outside to the street, it’s a huge help. If I go up and take a shower it’s a big help. So I sometimes take extra showers.
“I think in the cracks all the time,” he has said. “I never stop.”
- From Daily Rituals: How Artists Work by Mason Currey
“Some guy hit my fender the other day, and I said unto him, 'Be fruitful, and multiply'. But not in those words.”
― Woody Allen
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Model with Headphones Drawing Sketch Study by Oz Galeano
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Umberto Eco (b. 1932)
Eco says that he is able to be productive during the brief “interstices” in the day. He told The Paris Review’s interviewer: “This morning you rang, but then you had to wait for the elevator, and several seconds elapsed before you showed up at the door. During those seconds, waiting for you, I was thinking of this new piece I’m writing. I can work in the water closet, in the train. While swimming I produce a lot of things, especially in the sea. Less so in the bathtub, but there too.”
- From Daily Rituals: How Artists Work by Mason Currey
“When men stop believing in God, it isn’t that they then believe in nothing: they believe in everything.” ― Umberto Eco
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I was kinda bored when I drew this, so it came out in the art work. Incidentally, this guy looks a bit like a character in the nameless city series of graphic novels, which I finished reading recently. The first book is rather heavy handed, but the last two are much better by comparison.
I remember how I just started making this piece with no guidelines no measurements.. nothing. Just me looking at the reference and goin blind in the feelings. I wanted to make this piece as alive as i could..I wanted to feel his presence near me.
