Hand drawn line work then digitally colored. Part of a weekly prompt challenge from my local art shop. The character is loosley based on a well know japanese octopus character.
The Japanese say you have three faces. The first face, you show to the world. The second face, you show to your close friends, and your family. The third face, you never show anyone.
I collaged "Krampus is Coming For You" together with my own monoprints as well as one of my drawings of Japanese Noh masks that I cut out of an old sketchbook. For the second piece, I had a drawing of Marie Antoinette as an ice cream cone, so I gave her a dress, put a background of my monoprints on her, etc. Then I added more cherries, and the circle reminded me of a clock, so I inked in the arms accordingly.
“Hikyaku - literally "fleet feet" or "flying feet." These running messengers played a critical role in delivering items and messages, given that in Japan's mountainous terrain, other modes of transportation, like horses or carriages, weren't very practical.”
Moomins my moomins! 120 layers of Finnish and Japanese cuties (It's funny, but I took some versions of the characters from the books, and others from the cartoon adaptations. And the Mymble's palette was invented by me hehe). It's been a long time, but I don't regret anything: D
my moms best friend mandy died I call her nani because she was watching anime with a kid and they heard what in Japanese witch is nani and they called mandy nani and I just caught on to it what killed nani was cancer she loved Scotland things like clovers and green she never toke off her clover necklace she wears that thing even in death she was my godmother the sad part was that unlike the last time she got cancer she did not fight it this time she would be mad to know how sad I am about this
Whether the script in the background is an actual sutra is not the concern, even if it is, would it be readable to most? I question the use of lines in Calligraphy. Without the recognition of the exact words or meaning, can we still appreciate the quality and skills involved? Armed with a Chinese writing foundation, I adapted the use of the eight strokes (the basis of construction to Chinese character). The `writings’ resembles Chinese/Japanese writings but in fact, they are not. I needed a texture. With language as a symbol of culture, by visually adapting these kind of lines endears us to the image.
