In late 2018, I started trying to be a bit more playful with art and experiment. This was a quick watercolour sketch I did. I'd like to revisit this one as a full watercolour painting.
One of my early oils from 2017. I was still getting used to the medium. I liked how the oils worked well for the misty distant hills, and I used glazing for the first time on the clouds.
My first foray into oil paints in 2017. This one is inspired by the view from the mountain pass (a road featured several times on Top Gear). Being new to the medium, I had a lot to learn about how it worked. I'm still not sure whether I'm happy with it or not, but I think it would be worth doing again now a few years down the line.
The reference for this painting was a quick snap I took at the roadside on a trip up to Angelsey. Didn't really manage to capture the scale or the atmosphere.
I know it looks a little sunny, but the reference photo for this one was a winter shot. It's the countryside in the hills surrounding Carreg Cennen castle, Carmarthenshire, Wales
In 2017, I had a short run of finishing acrylic paintings after not painting for many years. Here I was pushing towards a more realistic style despite the very cheap and thin paints.
My first foray into acrylics from 2017. At the time, I wasn't that happy with it, but it sold within a day of posting it on social media. Looking at it now, I like how loose it was.
I was going to do a full landscape sketch of the ascent to Cadair Idris, but I kind of chickened out. Still, I quite like the simplicity of this little sketch.
A cartographic representation of the experience of moving to a new city in a foreign land. This work, dubbed as 'Introspectionism', provides the viewer with a snapshot over time of the inner workings of the process of the strange becoming slowly more familiar and the foreign becoming Home.
