Recently I saw beautiful Van Gogh exhibition. I really enjoyed movement of his brush and vivid colours. It was more about energy and feelings than realistic details.
I am always gravitating towards realism and always want to spend more and more time perfecting paintings like they are never really finished so this time I decided to challenge myself not to do that.
Mixed media drawing. The sky can spread oppressively across a flat landscape like the meadows of the midwestern United States. In this drawing I wanted to evoke that sense as a backdrop for a trio of Weirds, soothsayers of folklore.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
Sower and the Seed
This painting illustrates the parable “The Sower and the Seed,” a teaching of Jesus
recorded in the book of Matthew chapter 13. The four hearts in the sky represent four
different responses of those who hear the Gospel message.
The heart on the lower left represents those who have heard the gospel but reject it.
The devil then comes and takes it away from their hearts. This is illustrated by the
crows flying away with the seed that fell on the road side.
The second heart on the upper left side of the sky represents those who receive the
gospel message with joy, but it doesn’t take root in their faith, and their faith is temporal, falling away when trials or affliction come their way because of the gospel. This
is illustrated by a grape vine withering away in the heat of the day due to a lack of a
deep root system.
The heart in the upper right corner of the sky represents those who received the gospel
and believe, but the worries of the world, and the deceitfulness of riches, choke the
word, and it becomes unfruitful. This is illustrated by the grapevine being choked out
by a purple, flower-bearing, climbing, strangling vine called, morning glory.
These vines produce pretty flowers, but they are an organic farmer’s enemy because
they will choke out his crops. I learned this firsthand in organic farming when I was a
missionary for a couple of summers.
The heart in the lower right corner of the sky represents those who hear, believe, and
are committed to living for the gospel, so they produce much fruit. This is illustrated
by a healthy, strong, fruit-bearing grapevine. The tilled field represents the world that
God has prepared to receive the Gospel message. The sower represents all Christians
that are commanded to go into the world and proclaim the gospel message. The seed
being thrown by the sower represents the gospel message going out to the world.
The seed bag has written on it, “The Word Seed Co.”
(October 28, 2017)
Felt inspired by this week's drawing prompt. Went with a Star Trek scene. Earth Spacedock from the movies always leaves me in awe. Tried to show it with its doors opening so you could see there is an inside. The starship's scale and perspective are off, but that is meh.
I painted this in Regent's Park, London. A yellow rose at sunset featuring a pink contrail in the sky. I have it available as prints, and prints on products on Redbubble, Society6, Zazzle, and Threadless. All sites are easily accessible via this link: linktr.ee/okhismakingart
Today is such a fun day, on September 20, 2018 I decided to stand on the balcony taking a landscape picture of my city. This landscape picture was taken by me one afternoon when the sun was about to set. The images here are all copyright of the photographer who created them In the absence of these digital files will be used, copied, displayed or pulled from this site without consent. of the photographer who created them. These landscape paintings are fully owned by photographer Nguyen Duc Nhan
Contact Email: ducnhandz130905a@gmail.com
Link url to my personal Facebook post: https://www.facebook.com/Nhandzvcl13/posts/2174868016064757
A foggy morning opens up to a burnt landscape. I wanted to paint a couple of different environments in one painting but still aim to be refined. I used fall colors and smaller lines.
An illustration of a Thailand coastal scene is depicted with loose, expressive strokes, showcasing a rocky outcrop and the meeting of land and sea under a blue sky. Sparse vegetation sits atop the rocks, adding touches of green to the predominantly blue, green and beige tones.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
Another piece from my vernal pools/treescapes studies I have been working on in correlation to my interest in local creature found in our woodlands.
I adopted the use of a circle one night, wanting to frame out an idea/sketch and a wine glass happened to be close by. Since then I have used it often, loving the circle aspect.
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
I've wandered Brechfa forest in Carmarthenshire on several occasions, but have only seen a very small part of what this huge forest has to offer. I'm hoping that once travel restrictions are lifted, I can get back out there and explore more. Pen on sketchbook paper (6"x8")
