A beautiful snowy night is depicted here. A girl is watching the beautiful scenario from her window. Actually this is a house referenced from the Song - "Perfect" ft Ed-Sheeran.
Really enjoying experimenting with soft pastels. This piece was the first time I used Pastelmat. It's an amazing surface to use with pastels as it takes loads of pastel, the colour stays vibrant, and there's minimal dust
This landscape is a finished work, and is designed to relax those who are weighed down by work.It is of an Irish Berry Field. I did it mostly from imagination, but I did use some photo reference to get the background right.
This is where I grew up.I lived in the mountain region, for most of my life before I moved into a town. The town I live in now is located near a huge wildlife reserve, and thats were I get my new landscapes from.
This is a reproduction study only of a very famous Monet piece. I am not selling this. I learned how to do art according to the traditional methods of studying great masterpieces. I did this in soft pastel,but the origional is done in oil I think.
A landscape that I did about my father while he was alive. He was a sheep farmer and he planted tress on his hill farm.This is done in memory of him as he died from cancer.Its a finished piece and based on sketches I did. Its an acrylic painting and 1/10 in a body of work.
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
A scene from where I live.The origional photo for this is taken from within a huge wildlife reserve. I should do more plaine air work but the weather in Ireland is not that predictable.
I've wandered Brechfa forest in Carmarthenshire on several occasions, but have only seen a very small part of what this huge forest has to offer. I'm hoping that once travel restrictions are lifted, I can get back out there and explore more. Pen on sketchbook paper (6"x8")
A bit of a departure from my usual style. I wanted to try something a bit messy, fast, and loose. The scene is an ancient woodland in Pembrokeshire called Tŷ Canol, an atmospheric place and full of inspiration for artworks. Pen and watercolour in Seawhite sketchbook.
At the top of Pentregwenlais near Llandybie is Gwenlais Quarry. In itself, the quarry is quite beautiful with its sheer rock faces and the way that nature has started to reclaim it. This scene is one of the paths that leads down from the top of the quarry back towards Pentregwenlais. I was going to do it as a pen & wash but by the time I'd finished with the watercolour I thought it was too complex to start putting ink in there. Watercolours on watercolour paper (6x8")
Looking down on the Afon Mellte from its rocky riverbank in Neath's 'Waterfall Country'. I was a little perturbed by the complexity of this scene at first, but soon got into the flow of it. I love doing these wild nature scenes. Uniball Eye Micro on 6x8" sketchbook.
Gwenffrwd-Dinas is an RSPB nature reserve out in the wilds of mid-Wales. You could easily miss it driving past, but if you do park up, you're treated to some gorgeous scenery. Here the river Tywi (the longest in Wales) flows past the wooded riverbank then through a rocky gorge on its way down to Carmarthen. Pen and watercolour on watercolour paper (6x8").
Llyn Mymbyr, Snowdonia. This view looking in the opposite direction to Snowdon. First time using a Uniball UB-150, but the paper allowed it to bleed somewhat so the lines were a little heavier than intended. I think it would benefit from better quality paper or a finer pen.
My first art of 2021, and the first in about 7 months after feeling blocked since last year. Reference was some random photo of a house on a country lane from when I used to go for long walks in Sussex. I decided to push myself into doing some form of artwork every day. This was the result from day three.
My last finished painting of 2020. A morning in the woodlands of Ystradfawr Nature Reserve near my home. This is the final result of one of my colour sketches - Spring on the Line. It sold to lady in a care home who's lost her mobility. I hope it gives her a bit of the great outdoors when she's sitting in her room.
A colour sketch of woodland near my home. I'm still not sure whether to turn this into a larger piece or not - or maybe I could switch medium and try it in watercolour?
A colour study for a larger piece. Unfortunately with the larger piece, I screwed up with the thick over thin rule and consequently, the paint cracked after a few months. Frustrated at having to start it again, but lesson learnt.
