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I don’t think it looks exactly like Emilia Clarke/Daenerys Targaryen, but I like the way it came out. The pic isn’t as good as the drawing as the lighting wasn’t great.

The concept for this painting started as a design for a pumpkin carving contest. I felt the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. I tried to keep the design simple, because the carving event is both timed and live. You must create your masterpiece on the pumpkin they provide, on their location, Infront of live spectators. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems (color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 Evolution of the design of this painting. I believe God through His Holy Spirit guided me to change the crosses on the two pillars, one on each side of the doors. Instead of these windows being fill with darkness, which would represent death by crucifixion, which Jesus endured for humanity, that who so ever is willing may be delivered from the power of sin and be adopted by God to become a member of His family. I was inspired to put light in both cross windows. The cross window on the side the open door, with the grape vines on it, the light matches the color of the light that is coming out the windows of Icons shapes representing the ministry of tri union God. The color I used is a bright firry orang yellowing color. For the bible says God is a consuming fire. The cross windows on the side of door with the flower on it, I used the color greenish yellow lite; to represent a false light, the bible call it a form of Godliness without power. Who so ever tries to approach God another way, than the path God has ordained. They will not be received. The Devil distorts the truth, to lead many to their demise. The only way to know the difference between truth and fallacy, is to study God’s word. Written by Stephen J. Vattimo August 7,2024

A quick sketch filled in later with charcoal and ebony pencil. "The sweetness and delights of the resting-place are in proportion to the pain endured on the Journey. Only when you suffer the pangs and tribulations of exile will you truly enjoy your homecoming." -Rumi

I am delighted to share that I Am a Dragon! has been named to the Pennsylvania Center for the Book's 2024 Baker's Dozen: Thirteen Best Books for Family Literacy! Here is the list ( I am in such a good company!): - “10 Dogs” by Emily Gravett - “ABC and You and Me” by Corinna Luyken - “Bear with Me” illustrated by Kerascoët, Sebastien Cosset and Marie Pommepuy, - “The Concrete Garden” by Bob Graham - “How to Count to ONE (And Don't Even THINK About Bigger Numbers!)” by Caspar Salmon and illustrated by Matt Hunt - “I Am a Dragon! A Squabble and a Quibble” by Sabina Hahn, published by HarperCollins. - “If I Was a Horse” by Sophie Blackall - “The Kitten Story” by Emily Jenkins and illustrated by Brittany Cicchese - “Mr. S” by Monica Arnaldo - “Night in the City” by Julie Downing - “Ruffles and the Cozy, Cozy Bed” by David Melling - “Simon and the Better Bone” by Corey R. Tabor - “You Go First” by Ariel Bernstein and illustrated by Marc Rosenthal

A character concept drawing of a pirate vampire character I created for a collab writing project that died. His clothing and even his hair borrowed aspects from various jelly fish as inspiration. " The snap of inky sails catching the wind punctuated the subtle wooden creaks of the Sea Nettle as it slid over glossy black waves. The night was oppressive. With the moon obscured by clouds, the ship, with its doused lamps and its dark wood was nearly invisible as she crept closer to her prize. Tallis stood on the forecastle, one foot propped against the railing, his hands supporting a spyglass. He drifted the lens between the lights below deck, counting each of them and making note of any movement on the upper deck and in the rigging. A single sailor was at the helm. Another was lazily standing beside him, possibly engaged in conversation that distracted him from his watch. This was to be expected, not many would dare to disturb such a well-equipped vessel of the Luthen royal fleet. Nettie's crew was lesser in numbers, but they were experts in what few on the high seas could manage. Tonight, would be a quiet strike. Open combat spelled unnecessary danger for his crew."

This quick sketch of an impressionist painting is a reminder to me of how we cannot see anything until we are taught to see it. I was enjoying the painting because of the way Tarbell captured light, when a man and his wife joined me. The man said to his wife: "This is a wonderful painting, but I wonder whose lap the baby is on.". I was shocked because I was not able to see the baby till he mentioned that there was one. I noticed that it was indeed difficult to tell whose lap it was on. It was a transformative and humbling experience.

He helped me publish my first article. He encouraged us to be quick, light, and meticulous. He was a good soul. Sketched during lecture.

A cat and whale at a lighthouse as the sun sets.

Lighthouses offer a plethora of possibilities for metaphors. This was an exercise in composition and uses for watercolor.

Two cartoon fries containers are smiling, with one of them saying, "Fries before guys!!". The colorful and playful design adds a humorous and light-hearted message.

New Matchbox painting. Available on my Etsy shop

Vibrant flowers, including a sunflower and a rose, dominate the forefront of the painting with their bright and colorful petals. Light, sketch-like strokes give the piece a playful and dynamic feel, with an array of greens creating a lively backdrop for the blooms.

Done for an 'artist spotlight' greeting card series

In another galaxy really far away, there is a planet with a frozen light source and icy atmosphere, this is where frost giants originate.

A vibrant piece of art depicts a fruit arrangement still life with various colorful fruits such as grapes, pomegranates, and figs resting on a plate. The background is a wash of warm yellow and earth tones, highlighting the freshness and diversity of the fruits.

Spaceship, from reference.

I still haven't had the pleasure of seeing this fascinating phenomenon with my own eyes, but someday I will! I painted this scene because I'm one of those weirdos that loves snow and sees so much beauty in the quiet winter scene. Acrylic on 3.5" x 3.5" on custom tiny canvas.

Hi I'm back! I took this as an opportunity to practice using values alongside lighting.

[Intro] (D-D-Dark side) [Verse 1: Tomine Harket] We're not in love We share no stories Just somethin' in your eyes Don't be afraid The shadows know me Let's leave the world behind [Chorus: Tomine Harket] Take me through the night Fall into the dark side We don't need the light We'll live on the dark side I see it, let's feel it While we're still young and fearless Let go of the light Fall into the dark side [Post-Chorus: Tomine Harket] Fall into the dark side Give in to the dark side Let go of the light Fall into the dark side[Verse 2: Au/Ra] Beneath the sky As black as diamonds We're runnin' out of time (Time, time) Don't wait for truth To come and blind us Let's just believe their lies [Pre-Chorus: Au/Ra] Believe it, I see it I know that you can feel it No secrets worth keepin' So fool me like I'm dreamin' [Chorus: Tomine Harket & Au/Ra] Take me through the night Fall into the dark side We don't need the light We'll live on the dark side I see it, let's feel it While we're still young and fearless Let go of the light Fall into the dark side [Post-Chorus: Tomine Harket & Au/Ra] Fall into the dark side Give in to the dark side Let go of the light Fall into the dark side[Bridge] (D-D-Dark side) (Dark side) (Dark side) (Dark side) [Chorus: Tomine Harket & Au/Ra] Take me through the night Fall into the dark side We don't need the light We'll live on the dark side I see it, let's feel it While we're still young and fearless Let go of the light Fall into the dark side

"BUTTCHEEKS" The top bookmark is the genuine "Skav Art" piece which was done with a 0.18 technical pen on 110mm x 30mm off-cut card. The one below (the "bottom" one - Heheh!) was a deliberate copy I made of the first and, even though it looks neater, proved to me that those dreaded "processes" do start to creep in. The differences are slight, but they are there. Such processes can mount the further you go with them, until they totally erode the creative energy you originally had. So, it was good to do, even if it does mean I've now got two artworks with the same title!