The Gloomy Mood of Ah Mei on a Sunny Day from Dialogues in Paradise by Can Xue.
Da-Gou is playing with firecrackers at the other side of the yard. He inserts one into a hole in the tree and sticks out his big hips as he bends over to light it. His bottom is huge, like his father's.
"Hey," I call. "Are you crazy? Can't you stop shooting those things?"
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This was done on a heavy day. On days like this, I like to doodle whatever is inside my head to lighten things up. My therapy. Almost everything in here means something.
So thankful for this experience that I shared with my class today. For the last 3 spring semesters, I’ve had the opportunity to take my KCAI Cultural Safari senior sketchbook class to draw from donor cadavers. Every year I am reminded of how amazing and intricate the human body is. I am also humbled by the generosity of the donors giving their remains to train young physicians. The conversations that result from these encounters always prove to be enlightening and inspirational. These are a few of my drawings I made.
Overview:
The title of this piece is directly inspired by the lyrics of the song "Rabbit In Your Headlights" by UNKLE. I liked the fact that I shook the static sensation of this shot using some vibrant colours and decoration. The subjects seems to be frozen in time, waiting for someone that will save them.
This little guy was drawn in a friend's sketchbook. I'm excited with how he turned out and now I want to draw one in my sketchbook too! Pencil, Ink & Highlighter.
My favourite intergalactic hero (he still doesn't have a name) pulverizes the enemy. I used Uni-Pin and Artline ink pens and water-based Koi brush pens (light warm grey & dark warm grey & black).
The theme was 'tension' in which we had to create a work of art using brown paper bags. In the midst of high school drama and stressful testing seasons, I created this mixed media drawing of a woman screaming and pulling at her hair. The hair is made of the brown paper bags to give it depth and texture. The drawing was created on brown paper with white pen highlights.
I always loved the wide-eyed screaming horror of Elsa’s original Bride, but for mine I thought it would be fun if she was instead just very, very, displeased. As soon as her motor-functions kick in, it’s gonna kick off, and Doctors Frank’ and Pretorius are gonna take a very short walk off that very high tower.
On the set of the original movie, attached to one of the columns, you can see a big wheel that’s used to crank open the skylight. I thought it might be interesting to incorporate this, symbolically, as a sort of halo, like the kind of thing you see in stained glass windows and old religious art, and to give the scene an additional sixth day creation kinda vibe.
Also, whilst working on this, every time I thought of the name “Pretorius”, I would involuntarily sing it in my head to the tune of, “No, No, Notorious”
(Black biro on a 139mm x 89mm postcard). Another dreamscape piece that uses automatic drawing techniques to produce random imagery. I was going to call this one "bloodlines" due to the shaded central areas which developed, but the lettering in the bottom-left corner began to take shape and so I highlighted them and used them as the title.
