Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Exploring the opportunities of my only three colors: ultramarine deep (pb29), cadmium yellow medium (py35) and madder lake red light (pr187)
P.s. and my waterbrush too
Vibrant feeling that soar through the meaning, balance, and beauty. Creatures happily delighted within their dancing realm. A smile upon their faces, happiness emerges.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
Canvas mounted on wooden frame. Size: 25 x 30 cm Materials: acrylic, Chinese ink, brush, pen and marker. Is sold the original piece. For this reason, there may be slight differences from one piece to another.
Canvas mounted on wooden frame. Size: 25 x 30 cm Materials: acrylic, Chinese ink, brush, pen and marker. Is sold the original piece. For this reason, there may be slight differences from one piece to another.
Canvas mounted on wooden frame.
Size: 25 x 30 cm
Materials: acrylic, Chinese ink, brush, pen and marker.
Is sold the original piece. For this reason, there may be slight differences from one piece to another.
“Just as the permanent foundation of the ground provides the springboard for voyages into outer space, so it is with the more mysterious flights of imagination.”
— Roland Penrose.
This is my avatar, a mix between Frankenstein, a Vampire (Mainly a Pricolici), and a Krsnik. I will eventually add shading, lighting, color, I will edit the linework and I will edit the etch marks.
Abusers are minimizers.
Abusers are gaslighters.
Abusers are liars.
Prejudice is always abusive.
x x x
Part of a series of drawings. You can find more lying vegetables here:
https://www.furaffinity.net/view/62376633/
https://www.furaffinity.net/view/62298147/
https://www.furaffinity.net/view/46199210/
https://www.furaffinity.net/view/46226637
x x x
“We can disagree and still love each other unless your disagreement is rooted in my oppression and denial of my humanity and right to exist.” -Robert Jones Jr.
Journey presents a surrealist setting where a man is rowing his boat through a wondrous landscape, surrounded by buildings and stones with strange symbols and runes. A bright heavenly light illuminates the traveller's origin while a stark contrast is made with the vibrant blue light, from behind the walls, of this mysterious sunken building. This artwork is for sale on inkywinky.com.au
I would like to not care about the pain, allow it to pass and let it flow without fighting it, which is perhaps the only way to let it go. Then I will understand that if I give myself trust, I will be able to remember and I will feel in my heart how many lights I found every time I felt lost.
Somehow the tree trunk looks like a female figure to me.
I'm not sure if I really like this illustration, but my imagination plays here a lot.
I could draw a bit lighter background to make more contrast for the tree trunk. What do you think?
Digital portrait of Tomás Enrique Araya Díaz & Kerry Ray King.
Tomás Enrique Araya Díaz @tomaraaayaaa is a Chilean American musician, best known as the vocalist and bassist of American thrash metal band Slayer. Kerry Ray King is an American musician, best known for being the co-lead guitarist and songwriter of thrash metal band Slayer. @kerrygomezking
Slayer was an American thrash metal band from Huntington Park, California. @slayerbandofficial
A drawing that took me forever XD I knew how I wanted the lighting, it just took me a long time to figure out how to make it a certain way. Mainly the yellow gradient+glow around the character, not the lighting actually on her. This request was asked by the lovely nabi_nalgae on Instagram and she wanted me to draw this pretty lady, her character Nabi!
When I was a child, whenever I was alone or lonely, I would fantasize about having super powers and being able to fly out into the universe and do anything. In my own world, I will always be the protagonist in my own story, guarding the lights of thousands of homes, world peace.
Also a crayon drawing piece of a man praying in a mosque.
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'The light pouring sky,
under it,
as a kid,
I, like a dream,
FLY.
My life is a Beauty.'
-I by Taeyeon.
