light

Pencil drawing.. Slightly inked, gave it a shot.

Tribute to Chadwick Boseman and his portrayal of the Black Panther

Sketchbook July 2020

"The sun is a light bulb A candle's a treat The curtains stay closed now On my little retreat"

Poor kitty!

I haven't done a still life since highschool! I was finally motivated to make one after finding this black conch shell on the beach of Rimini. In the past I found one but it was broken, i feel like i've been on a healing journey and was delighted to find a complete full shell. In a way I took it as a sign of the healing graces God is pouring out on me. I also found the coral thing floating on the waves of the shore. I felt the presence of the divine through His creation that day. I picked up the other scallop shells and the red rock there too. The big snail shell I found outside the monastery, there are some big snails here! So yeah, I wasn't trying to be too precise in this still life but I wanted to jot down the idea and my thoughts from that day. Peace be with you all

Once upon a time, in a childhood far, far away.... I really love this game, and the sequel, and we need a new Star Wars Single Player RPG, like, TODAY!

He is a candle. His parents are both flashlights :)

Quick 1 hour sketch working with a limited palette for a moody, gritty atmosphere. I always like to think of the story behind a piece before I start, and this one was a reflection of where I see the world going - a dystopian world in which many parts of the city have been abandoned, taken over by urban foliage, and left to ruin as people flee.

This is a drawing of the ocean. It shows all the different zones of the ocean. It also shows animals that live in those zones. At the top is the sunlight zone. Next is the twilight zone. After that is the midnight zone. The last is the abyssal zone.

Sometimes Black Pink's songs lighten me up. I like watching their live performance. Lisa is so charming on stage.

Photo art creation using Lightx and Unsplash images

I like to draw when my boyfriend practices yoga, I added our favorite items that delight us during quarantine

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

Geometric pattern doodle - all freehand! Markers used: Posca Pens

I decided one day to do some shading on one of my little cartoon fairies. This is the result. A fun little piece featuring a fairy and little lightning bug discovering each other. :)

I decided to do this piece because one of my friends argued that bits aren’t invasive and horses enjoy the clear commands. I ride in a bit so if you are a rider and you use bits I’m in no way attacking you. I merely wanted to express that bits are painful and invasive to horses and how important it is to keep light hands and only pull on the reins when necessary.

Inked Sketch. Referenced from Photo I took in Cape Elizabeth, Maine.

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

Soda ice cream doodles

Doodled this on a flight today. I'm not sure my neighbors appreciated it.

Sunlight / Moonlight illustration. Pen and ink using copic markers for the colour.

Digital painting on canvas of "Michel Onfray" in the manner of the praise of the approximation of the exhibition. This graphic and stylistic style is borrowed from the concept elaborated in the Praise of Approximation ": a painting to be reconstructed using the structure to which the perceptions are subordinated, highlighting the perceptual disturbances of perception. whose memory has been recorded in the brain of each individual. Peinture numérique sur toile de « Michel Onfray » à la manière de l’éloge de l’approximation de l’exposition. Ce style graphique et stylistique sont emprunt au concept élaboré dans l’Éloge de l’approximation » : une peinture à reconstruire à l’aide de la structure à laquelle sont subordonnées les perceptions qui met en évidence les troubles de la perception liés à la manière dont le souvenir a été enregistré dans le cerveau de chaque individu.

My large art 40"x60" at a Italian bar in Astoria, NY.