Doodled this after my husband died of cancer. It's not only about embracing loneliness. It's about embracing all areas of my life which I have considered dark and not user friendly. Faber Castel black pen and a scribble of purple
In case this is the first drawing of mine that you see, I like to use dark and heavy outlines. It really limits the sense of a real life animal. I’m trying to change my style, but it’s hard. Hopefully I can start to progress
Here's a traditional art sketch card, produced on a 4 X 5 inch blank licensed card. The cut lines are set at 2.5 X 2.3 standard trading card size. Artwork is Copic marker and Prismacolor colored pencil. This card was created as a random insert for the 2018 Rittenhouse Archives Star Trek Captains collection Card series. This card features my favorite Star Trek bad guy Harcourt Fenton Mudd or Harry Mudd. See more at Sketchcardsandcovers.com
I tried to work on my gesture drawing this meetup. The red marked are my favorite. I have tried to reduce the figure to just the flowing lines. It is very satisfying to draw like this
Except for the addition of the three hands, the preliminary scribble lines were not altered at all. These nine figures were found, slowly, not rendered It was a page of what seems senseless, crazy lines, Subconscious in the working? Yes, that's the story behind my art.
Second up in the "uploading progress pieces since I get questions about my art process" is a Teenage Mutant Ninja Turtle print I'm working on for a convention. This is the rough sketch, next up I'll clean it up and do my guide lines for inking. Hopefully I won't have to redraw Donatello
Progression 5 of 5. Final Drawing. Overall, satisfied with how this came out. I should have done a better job of the hard lines, especially around the skin. Also, my vision for the background didn't come out quite as planned, but I didn't want it to draw the eye more than the main focus, so I left it lighter and vague. There were a lot of Nike symbols in this piece!
A lot of lines, and a otter... In my family we call each other otters, when we have done something cute, but weird. Like when we misplace something in the fridge, like a phone.
This 11" x 14" bold, dynamic, geometric abstract makes a unique statement. Lines and curves, angles and shapes in stark black and white convey the arbitrary, yet methodical . . . random, yet systematic nature of the universe . . . and our lives.
Sometimes wisdom comes in a joke,
and sometimes laughter carries truth.
Brian spoke like a sage,
Mike answered like a friend,
and together they held the room.
We draw to remember.
Not only the lines of faces,
but the presence of goodness,
the gift of voices that echo
long after the chairs are empty.
