This is one of the patterns found in the Esrefoglu Mosque in Beysehir, Turkey from 1297 CE. according to Eric Broug (see: "Islamic Geometric Patterns", E. Broug, 2008, p.37). Now that I have the guide lines in place, up next I'll be erasing them and coloring in the pattern shown here. I think I am going to go with green, blue, purple, and yellow. More to come!
Metatron’s cube is made up of 13 circles connected by straight lines. It contains all 5 Platonic solids and if you stare at it long enough, letting your eyes focus in and out, you start seeing lots of different shapes and patterns. When I draw this shape I generally leave out some of the connector lines to see how it changes the pattern
Ephesians 4:22-24 NIV
You were taught, with regard to your former way of life, to put off your old self, which is being corrupted by its deceitful desires; to be made new in the attitude of your minds; and to put on the new self, created to be like God in true righteousness and holiness. //There are 6 Sundays leading up to Good Friday. In observation of Lent, I will be posting 6 works inspired by the theme. This is for the 4th Sunday of Lent.
Many people walk past plants either without noticing them or with just a glance. For the Walmajarri people in the Kimberley region of Western Australia, and many other Indigenous groups, plants provide a source of food and medicine. These outlines are of plants that are used by Walmajarri people as either food or medicine. For most people they remain a mystery, hence the outline only.
Another attempt at utilizing varied line density. I think it came out better than the previous attempt, since the lines aren't too thick. I didn't really know what to do with this one, so it kind of feels bland as a result.
I'm experimenting with line density to help differentiate details from the main outlines. I think I went a bit too thick on the robot's line art. I'm satisfied with how the flame trail came out though.
Daughter of the Moon: An Artsy Drawing by Brianna Eisman is an ink drawing with painting overlay of a woman with the face of a moon. This surreal portrait has an ethereal feeling of loneliness and mystery.
Part of my challenge to myself to sketch directly in ink this month, and to play around with using alcohol markers for value (a new tool in my arsenal).
This picture, among my many others, was created by following the doodle lines made in a minute. The figure and composition was FOUND from the loops in between... without alterations. https://youtu.be/xOa42BwxOx4
The idea is to show a figure crossing over two ` scripts’ with a bilingual suggestion. By standing in between worlds, we see opposing viewpoints.
Many artists have incorporated typography as symbols in their paintings since the 60s, but no one has attempted to approach lines in this `written’ manner. How different it is are the two writing styles of the East and the West; one with angular lines while the other in a smooth flow! This work juxtaposes the symbolism of cultures – script. At the same time, it questions the need to grasp the full meaning of the script to appreciate the aesthetic flow of calligraphic lines.
Since the dawn of l’automatisme, the floating shapes of Miro and Klee were praised as musical suggestions. Unlike the Masters, my groundwork of flowing lines speaks melody and rhythm from a musical score perspective. The flow of lines ties the art elements into a composition. It also reflects a concept from Chinese paintings, which says, ` as a line moves into the invisible, the idea continues.’
Whether the script in the background is an actual sutra is not the concern, even if it is, would it be readable to most? I question the use of lines in Calligraphy. Without the recognition of the exact words or meaning, can we still appreciate the quality and skills involved? Armed with a Chinese writing foundation, I adapted the use of the eight strokes (the basis of construction to Chinese character). The `writings’ resembles Chinese/Japanese writings but in fact, they are not. I needed a texture. With language as a symbol of culture, by visually adapting these kind of lines endears us to the image.
Some works were born to be prodigious. Once the preliminary lines were laid within the first minute, the quality of the shapes, the diagonal composition and the weight were balanced out.
With the black mass as the hood, a face, hidden underneath, is unveiled. With the addition of the black fingers and the white hand, the full figure surfaced naturally.
The black fingers are the minimal suggestions to add character. The title `Remorse’ came about because of the bowed head and the pose.
utube clip: https://youtu.be/mb48rCx-lYI
This drawing is titled "Greyscale Doodle" and was created by Brianna Eisman, Artsy Drawings. The pen and ink drawing is a fun doodle of organic blobby shapes with circles and floral patterns and lines. It's drawn in greyscale using grey, black, and white ink tones. The doodled image features an abstracted floral mandala type pattern. For more like this, please visit my website at ArtsyDrawings.com
I drew a London Street Building, source from pinterest using the freehand sketch method. The story behind this sketch is that I drew it with a hesitation feeling, you can feel it when you see how my lines were drawn to create the brick texture.
It's a second attempt at drawing a landscape with a water element.
I'm not focusing on many details by drawing water. Creating a lot of blurry shapes and lines gives a great reflection effect.
URASHIMA THE FISHERMAN
From Favorite Folktales from Around the World by Jane Yolen.
Then a last song burst from him as he struggled with his loss: “My love, when after a night of longing day dawns and I stand at my open door, I hear far off waves breaking on the shores of your Paradise!”
If only he hadn’t opened that jeweled box, people have said since, he could have been with her again. But the clouds hid her Paradise from him and left him nothing but his grief.
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