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Saint John the Evangelist SUPERCHARGED!!! lol. I decided to digitaly colorize him so he fits in with the other Evangelists. ^_^ Yeah and the Eagle because of his High Christology and focus on the Divinity of Christ. He's flying high in the Fiat now! :)

And Finally it's Saint Matthew giving a high-five to his Symbolic Angel (Or "human with wings" technically)! I Made it more like a fairy or something, it's not like a mount like the other symbols of the evangelists. So Matthew looks a little more Fatherly because in the Gospel of Matthew the theme of God the Father is the strongest of the gospels (mentioned more times etc.), also it's the only account that gives the account of the Annunciation to St. Joseph and lots of details on St. Joseph, the virginal Father of Jesus on Earth. (I should probably redo St. John since I did the others with more detail, I actually I did that version of St. John a few years ago but I finally decided to color and outline it recently. All the others are new though.) Let me know if you want to see anything! I'll probably do the mysteries of the Rosary next. ^_^

A big fan of standing on hilltops and staring moodily into the middle-distance, the Klauzal is best known for sharing long, terrible poems about cloud formations, and telling anyone who'll listen about the restorative powers of blackberry jam.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

I was required to do this for an art class. It’s just a very strange image :)

hey friends! sorry for not uploading in a bit - swamped in schoolwork. take this for the time being :). a very small little portrait of me and my friend from summer (when i still had long hair!!) when he first tried boba and we played cards against humanity in the shops. he's the best listener :))). have a good evening! xoxo honey

Things just happen? Or is there a hidden subconscious initiative that I have to finish one for my cellist friend ....a year previous to meeting her again at the art walk? Has this ever happen to any artist here?

Some portrait of a friend on kind of rough paper. I like the outcome so far. Not really realistic, but kind of some smudgy style. Maybe just grainy :|

practicing putting stippling into effect on a human piece, I like this start but I want to start evolving it to be less cartoon more realistic

Did this screen drawing while was listening lecture. This magic pencils are adorable!

really old. not bad for when i drew it ig. you can tell that i really liked gorillaz at the time. might redraw it. not sure. /// drawing was based off of a song called Where's Your Head At by Basement Jaxx. good song. i'm glad this drawing reminded me of its existence. i'm going to listen to it after i upload this.

Trying to do semi-realistic with the current fashion???? With expo markers.

Quick minute post-its sketches of Remedios Varo’s surrealist paintings.

It's easy to forget that cats are actually little ghouls...they want to hunt and kill stuff almost as much as they want to cuddle up with you when it's cold (yes, they are also heat vampires). But they are also complex and amazing little fur-suited people.

Joan Miró inspired artwork.

I’ve been listening to Sanspants Super Smashbros stepdad debate. Got Kirby on the mind.

Playlist 52 – Wot U Gonna Do?

mike_sheehan_studioThis is an old one from when I was working for a toy company. I always keep a sketchbook on my desk so whenever I'm waiting for the printer etc I can doodle. This one was inspired by listening to Mimi Pond on #npr on my way to the offic

After yet another afternoon of mind-drifting, I found something I wasn't expecting. One thing over the years, memories are bound to forgotten if I don't recognise its importance in practice. In this case, it was a basic yet very crucial element for my dynamic pieces: curly lines. Continuing from the "spirit" of that character drawing yesterday, I started early today with trying to draw the character in its updated form. Suddenly, I ran into a roadblock: I was unable to bring it to life. Running through nearly a dozen sketches, something felt missing. A bit frustrated, I just lounged around the place and listened to some music played on my phone. Turning it off after a while to prevent the media distraction trap, I just started to let my thoughts wander and looked through different things, asking myself some things... My work felt a little blocky lately. It almost felt like I was focusing too much using certain details as a starting point to improvise from. This results in me struggling to build outwards into a full picture. Often, I find myself losing track of the original concept, which frustrates me. One thought then got into my head. It was something I enjoyed in the past years, which was the concept of "Flow". Suddenly, I felt signs of an answer. The original drawing "White Bird" came into my mind, reminding me of how I started drawing that important piece. I still have a strong impression on how I started it. It started as flowy lines to carve out an outline, vibe, or energy, or whatever my mind finds to describe. Later, I would slowly narrow out the details and sharpen its precision, almost like carving a figure out of nothing. And there it was. Sketching the core or skeleton of an idea, adding the main shape, before narrowing down the to details and precision. A very basic skill in drawing that I have forgotten, as dumb as a nitwit. If I had the core idea there from the start, I wouldn't have lost it right? Putting it into practice, I saw its immediate effects. Curly lines were the only thing I used, and suddenly the White Bird was flying and "alive" again as it should be. Man, I have recorded these for years, within my personal achieve of sketches. Yet, I somehow forgot them like an idiot? I am just speechless. It almost feels like I am back to square one, although there was a takeaway. I have learned the lesson of forgetting this basic practice, which led me astray for all these months. Seriously, I really have to remember how important it is. Putting that aside, I have noticed that I have these 2 styles. One was that "start from a detail and spread out", and the other was the "start from the big picture and narrow down". I had instances of success in both, which gave me a slight dilemma on which to choose. It is obvious that I can't limit myself to either, that would be falling for the stupidity of Duality. My own solution, would be to use either when the situation calls. I can't forget either, I just need to know when is the correct time to use it... ==

I was listening to Neonis song The Tower and I created this. Plus I need to work on scenes.

The new chapter is in progress and one of the two scenes is already written, but for now I've made the cover for the fanfic and the masterlist, hehe. Mostly this was just an experiment with black and white and some brushes.

What do I have to so to make people fucking listen to me?! (c) Smart people problems. I'm almost done first page of my comic, but got distracter by this my meme in my head.

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Louise Bourgeois (1911–2010) “My life has been regulated by insomnia,” Bourgeois told an interviewer in 1993. “It’s something that I have never been able to understand, but I accept it.” Bourgeois learned to use these sleepless hours productively, propped up in bed with her “drawing diary,” listening to music or the hum of traffic on the streets. “Each day is new, so each drawing—with words written on the back—lets me know how I’m doing,” she said. “I now have 110 drawing-diary pages, but I’ll probably destroy some. - From Daily Rituals: How Artists Work by Mason Currey “I am not what I am, I am what I do with my hands...” ― Louise Bourgeois “Every day you have to abandon your past or accept it, and then, if you cannot accept it, you become a sculptor.” ― Louise Bourgeois #dailyrituals #inktober #LouiseBourgeois @masoncurrey

Here I bring you another new drawing challenge, instead of an inktober I will do this challenge based on horror and trauma (this challenge is also inspired by the famous goretober) for anyone who dares to draw for thirty-one days in the month of October.

You can listen to nothing but rock music and wear nothing but black clothing and only date short guys in their thirties. Those are valid preferences. Choosing not to hire people of color or refusing to let trans people use the bathroom is prejudice.

https://www.cdc.gov/niosh/npptl/topics/respirators/disp_part/n95list1-a.html

LISTEN, I STARTED PLAYING A FEW DAYS AGO AND LIKE..I BEAT LESLY..AND LIKE..IMA NEED TO MARRY HIM..DONT ASK..BUT..YEAH..