OK, I'm not saying it's mind-blowingly good. Rather, I want to allude to how this picture came about: I painted it with a hammer! You can find the complete creation process on my blog at https://christiandrab.de.
This turned out to be a finished painting. It started with a full canvas of doodle lines (check my patreon log if you are interested in the raw file) This was executed just this March. Still, no lines were altered except the face area. Impossible you say?
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
I am a professional logo and graphic designer. This piece is for one of my clients at https://thebackvault.com. How will you rate this piece? It is designed for public display and banner display.
30-minute painting practice. Not my my Fave. Watch my weekly Art journal entry where I worked on this painting here: https://www.youtube.com/watch?v=DsBhfRTE6oc
Ta-da! Finally done! This was inspired by my annual back to school shopping trip in August with my mom, my siblings, and my grandma. The sign is a bit of a clue to that, the heart is similar for he logo of one of my favorite stores (until they closed last month), and the tan thing in the corner reminds me of the dusty playground we stop at between stores. The hair clip, butterflies, and purple corner (it's really a hair extension) are all from my favorite accessory store. The railing is for the walkway between stores and I don't really have to explain the shirt, skirt, pants, and shopping bag. No trip is complete without a bucket of pretzels to eat on the way home! Anyway, I hope you like my art!
It's Christmas in July! The Third Joyful mystery: The Nativity, the Birth of Jesus. Jesus has his iconic Halo now and you can see the divine graces pouring out in the classic Iconic way, some deep theology drawn here. ^_^ Of course Saint Joseph is in deep contemplation, Mary is tucking Jesus in and even the animals are in wonder. :) Holy Family, pray for us.
This is a 19 in by 24 in oil painting on Bristol paper. I love this piece because of the textures and the bright but muted colors. I did this in 2019 in the spring at the Fashion Institute of Technology. The professor always pronounced "fruit" in a very bazaar way. It was a great class overall.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
I decided to practice posing with a character that has a certain style. I also wanted to test a design for my artist logo. I will definitely be making a digital version of this character in the near future. Colored with Artify alcohol-based markers, and a white Gellyroll pen for highlights.
This doodle is based off Norman Rockwell’s The Tattoo Artist and pairs with the blog I wrote about how I think our society needs to change the words we use to describe love. ❤️ “ Love is a collaborative work of art.” https://princess2dutchess.wordpress.com/2018/02/04/loneliness/
A far-too-common archetype that i have observed frequently in people as they converse with another is one in which an individual uses two layers of defense to protect an otherwise unexamined confusion or emptiness. This relates to a defense of the ego and does not apply to all situations involving anything discussed.
First posturing:
-A mask (or wall) of mockery is sustained in which the defensive individual behaves flippantly as if in jest. This positioning is a way to be aloof from the situation, using incredulity and belittlement to keep a person or their ideas away from the defensive individual.
Second posturing:
-A mask (or wall) of rage is revealed after a certain level of perceived threat is achieved internally. This positioning is usually the one the defensive individual maintains when they have given up the argument or the introspection. Not risking an ontological or existential crisis, the defensive individual lashes out with anger, often accusatorily in manner, potentially belittling others further or just plain rushing away in a huff. This is usually the end of the engagement.
Third posturing:
-The masks (or walls) both come off, leaving the defensive individual to examine the thoughts or behaviors involved in the situation more critically. The defensive individual may find themselves feeling deeply uncomfortable, sad, uneasy, lost, or confused. This position leads to introspection and to a genuine openness, which is not something that the defensive individual had been prepared for. They may find that they were incorrect, only partially correct, or that the perceived rightness of their idea/behavior now has an expanded context, all of which may seem frightening. Individuals may become mentally paralyzed at this point. It takes a strength and an honesty to reflect in this position, which is not something that everyone expressing this archetype will be capable of doing.
(Based on my professional insights as: a cashier, as a member of various technical support staffs, as an occasional minister, and as a peer counselor. Also based on my casual and repeated interactions with both strangers and with more intimately known persons over the course of my lifetime. Observations are my own.)
A tree frog with a twist. This tree frog has trees growing from it. This is very rough and I hope to actually properly draw it out at some point. I based the general shape of the frog on another piece of art I did (which is on my blog site) where I started with a painted green splodge which my imagination decided was a frog.
