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Davina Behin Jones Davina Behin Jones
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Looking at you

Crayola crayons. Puffer fish love eating snails.

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Andrea Andrea
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(in)secure

(In)secure Some days I put on my "business outfit". Just so I look like I got it together and then I will start feeling that way too. That is: until I become a wreck in a business suit. January 2020. Pastel on A3 paper

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Nancy Lemon Nancy Lemon
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Inside Outside

I look at way too many carefully decorated spaces on Pinterest, so I painted one of them and then opened up the room to nature. Also a way to experiment with "gouache painting" in Adobe Fresco.

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arabbitwithwings arabbitwithwings
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that look

My first try with Adobe Fresco.

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Sumi Sumi
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sidster

my sister and i agreed the flower looks a little like a butt hole

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Tom Gehrke Tom Gehrke
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Zebra Got Back

Today's attempt at something that looks more "traditional" using Rebelle 3.

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Claire DArcy Claire D'Arcy
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The Cow who went Looking for a Friend - Assignment 4 Childrens Illustration

Watercolour and paper texture combined digitally, freehand drawing digitally in Photoshop.

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Debbie Clapper Debbie Clapper
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Ill Sleep When Im Dead

Zoomed in shot of "I'll Sleep When I'm Dead". Created in 2012. Size: 22” x 30” / Micron Pens on Archival Paper. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork. 2019 kinda looked like this. It had a lot going on. Lots of changes. A close friend of mine predicted 2019 would be "The year of change", and she was right… at least up in my neck of the woods. Anyway, it has been full of good, fun and challenging things – all worth while. Excited to dive into 2020.

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L K M L K M
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Looking up, looking down

Fine point signo pen doodle

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Sylwia J-D Sylwia J-D
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Look under the water II

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KR KR
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I dont know why the left side looks smudged

it doesn't look like that in real life, I've taken like a dozen pictures to try and get the whole thing in focus, it's driving me crazy

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Stephen Stephen
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Heal Our Land

Ink on sketchbook paper subject: illustration for the national paper Size :11" x 14" Date: 10/20/2017 Artist: Stephen J. Vattimo This ink illustration was created for a pumpkin design for a carving contest. The hands grasped tightly in prayer. The national flag in tatters, representing all the trials and tribulation the nation is going through, The compass represents seeking direction. The who illustration making the statement, The need for a nation to look to God for direction, and healing of our land. God made a promise to the nation Of Israel, which I believe is offered to any nation. 2 Chronicles 7:14 and My people who are called by My name humble themselves and pray and seek My face and turn from their wicked ways, then I will hear from heaven, will forgive their sin and will heal their land. Written by Stephen J. Vattimo

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Arwen Arwen
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Monster Mug

The first stage of clay is slip. Slip is watery clay; it is most often used to "slip and score", which I used to attach the features of the mug to the mug itself. The second stage of clay is wet. Wet is moist, very plastic clay. Wet is the type of clay I love to use, just because it feels so fresh, and because it is moist enough that I don't have to soften it with water. The third stage of clay is leather hard. Leather hard is the stage my mug was in after being left on the shelf for twenty-four hours or so. It is easier to cut but very difficult to sculpt. The fourth stage of clay is greenware. Greenware is completely dry clay that is fragile and breakable. I would say that greenware is an overdose of leather hard for the clay. In other words, leaving clay out for a longer amount of time can turn leather hard clay into greenware. The fifth stage of clay is bisque. This is the clay after its first firing. If it was grey clay, it is now white in this stage. It is now completely hard and no longer soft in any way. Bisque, luckily, is only one stage away from glaze... The sixth stage of clay is glaze. This is the final firing and results in a smooth texture and a shiny look. I loved the way my glaze came out. While I was painting the mug, it was more of a ruddy red-brown but when it glazed, it turned out to be this beautiful spotted green.

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Nichole Turner Parrish Nichole Turner Parrish
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Harvest Festival

getting back into digital art after 2 years. trying to up my art skills. Drew the characters from a NaNo write month story i drew. side story form one of my larger oc stories. always looking for feed back!

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Just Another Monster Just Another Monster
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Small Mistakes

I use to draw to create. Now, when I do, it's to speak to myself. To relieve some tension. To say something I can't say out loud. I'm not looking for anything here. I just hope that throwing these things out into the world will somehow take them off of my mind. Sorry, and thank you.

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Jenn Adkins Jenn Adkins
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Girl with the Purple Hair

I love the flow and painterly look to artists like @loisvb and @pernilleoerum so this doodle is inspired by them. Love these brushes by @jingsketch !!

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Indi Edwards Indi Edwards
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Watercolour piece of 2 men

I am always inspired to paint the faces of broken people. People who have been through a lot and look a bit gnarly...

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Stephen Stephen
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Fed by a Miracle of Compassion

Fed by a Miracle of Compassion Medium: Acrylic on canvas Size: 11”x14” Year: 2019 Artist: Stephen J. Vattimo Matthew 14:13-21 New American Standard Bible (NASB) Five Thousand Fed 13 Now when Jesus heard about John, He withdrew from there in a boat to a secluded place by Himself; and when the [a]people heard of this, they followed Him on foot from the cities. 14 When He went [b]ashore, He saw a large crowd, and felt compassion for them and healed their sick. 15 When it was evening, the disciples came to Him and said, “This place is desolate and the hour is already [c]late; so send the crowds away, that they may go into the villages and buy food for themselves.” 16 But Jesus said to them, “They do not need to go away; you give them something to eat!” 17 They *said to Him, “We have here only five loaves and two fish.” 18 And He said, “Bring them here to Me.” 19 Ordering the [d]people to [e]sit down on the grass, He took the five loaves and the two fish, and looking up toward heaven, He blessed the food, and breaking the loaves He gave them to the disciples, and the disciples gave them to the crowds, 20 and they all ate and were satisfied. They picked up what was left over of the broken pieces, twelve full baskets. 21 There were about five thousand men who ate, besides women and children. This illustration is part of a mural about the ministry of Jesus of Nazareth. The mural consists 9 images that depict the Miracles of Compassion Christ worked that are recorded in the Bible and He continues to perform in the world today. Understanding the symbolism in the painting. The basket of to fish and bread sits in the grass; Jesus had instructed His disciples to have the people sit down in the grass. Dead grass: the event took place in a desolate place. Historical and cultural illustration. Basket design: In the first century in the middle east people traveled on foot and when on a long journey they carried food with them. The common lunch pal during this time period was most likely a small wicker style basket with a removable lid, and a leather strap attached to it. So, a person can sling it across their shoulder for comfortable transportation. The basket would most likely be lined with a cloth wrap around the food to protect it from dust and bugs. The fish and bread: In John 6:1-15 which mentions the same event, tell us the 2 fish and five loaves of bread belong to boy, so most likely his meal was that of a poor person. The common fish that was eaten by the poor in this region and time period, were sardines. The five loaves of bread: Were most likely a type of flat bread which is commonly consumed by middle eastern people. The Bible verse that best communicates the message of this illustration is: Matthew 6:25-33 New American Standard Bible (NASB) The Cure for Anxiety 25 “For this reason I say to you, [n]do not be worried about your [o]life, as to what you will eat or what you will drink; nor for your body, as to what you will put on. Is not life more than food, and the body more than clothing? 26 Look at the birds of the [p]air, that they do not sow, nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not worth much more than they? 27 And who of you by being worried can add a single [q]hour to his [r]life? 28 And why are you worried about clothing? Observe how the lilies of the field grow; they do not toil nor do they spin, 29 yet I say to you that not even Solomon in all his glory clothed himself like one of these. 30 But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the furnace, will He not much more clothe you? You of little faith! 31 Do not worry then, saying, ‘What will we eat?’ or ‘What will we drink?’ or ‘What will we wear for clothing?’ 32 For the Gentiles eagerly seek all these things; for your heavenly Father knows that you need all these things. 33 But [s]seek first [t]His kingdom and His righteousness, and all these things will be [u]added to you. Written by Stephen J. Vattimo 3/25/2019

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Pratik Parwatwar Pratik Parwatwar
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Listening to the Cosmos

I have been listening to astrophysicist's broadcasts a lot this days. Few I like the most are Joe Rogans's with Neil deGrasse Tyson, Brian Cox, Sean Carroll. They talk about obviously space, extra terrestrial life but also religion, people, psychology. I realised that when you think at cosmos level or at subatomic level, the things we worry about in day to day life feel very less compared to the vastness out there or in us. So I think it is very important to get out of the city, to find clear sky and look at the stars up there. It gives a surprising energy which I don't know how to describe but feels powerful.

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Kevin McQuillan Kevin McQuillan
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Portrait of Mick Jenkins

Portrait of Mick Jenkins, Chicago hip hop artist. Looking to do more with this image and eventually turn it into a poster. Open to ideas if you would like to leave a comment.

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Kevin McQuillan Kevin McQuillan
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Good Grief

This piece is the product of a self appointed challenge to learn to cover the page and draw in detail. It’s exciting to create something that might take a moment to look at.

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Arwen Arwen
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Guys1

Here I am practicing drawing guys. These are all guys, believe it or not! I sketched Peter from San Domingo, the Medicine Hat Stallion. In the center is Gale from the Hunger Games. This is one of the ways I imagined he looked from the books. And below him is Hart from the Last Holiday Concert. The only guy I drew full-body was the kid on the right side. I didn’t draw him, however, with any specific character in mind, so I guess I just made him up.

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Arwen Arwen
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My OC

This was my first attempt at an OC a while ago. My artist friends have OCs; most of them have around ten different ones. I still haven't come up with a name for her and I drew this a while ago. I also haven't drawn her again or created any other OCs. I know it looks bad but I literally drew this in study hall and none of my drawings ever look like I put any effort into them. Maybe you could help me come up with a name for her?

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Liz Liz
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see

look at all of them, v cute

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Lena Zvereva Lena Zvereva
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Some exercises from a book

It looks easier than it is

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Slavica Slavica
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Looking for summer

A place in the sun

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David David
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Chew Then Shave

He ended up looking like he could be a Morlock.

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David David
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Blob

Blob is looking a little worried. I wonder why.

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Jared Woods Jared Woods
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Slender Man and Madeleine McCann

I want my art to look like a child who has probably killed his parents. Slender Man and Madeleine McCann (2015) 26" x 26" Acrylic I got in a lot of trouble for this one.

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Tash Goswami Tash Goswami
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dragons pearl

dragons pearl book illustrations - soon he turned into a water dragon and as he looked back at his mother, his tail whipped back and created the meanders in the river. In his protection, was the pearl.

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