Drawn in 2019, this is a graphite and ink portrait of my mum's horse that I did as a birthday present for her. I used Fine liner pens and 5H, HB, and 6B graphite pencils on A4 150GSM art paper.
This is the beginning of a piece I did earlier this year. I wanted to show the progression of graphite to ink. The next picture I post will be showing the rest of the ink and completion of this piece.
This is my first attempt at traditional egg tempera painting. The panel is a Masonite board from Michaels, but I need to use true gesso because the egg tempera will not adhere to acrylic gesso. Some of my favorite artists used egg tempera. Andrew Wyeth, Robert Vickrey, and Colin Fraser are all masters of this ancient and archival medium. I have been self studying this technique for months and I was very excited to start experiencing the medium. Egg tempera is like layering stained glass on top of stained glass. the painter can expect a luminous glow to take shape as the colors blend visually through the layers of paint - assisted by the chalk of the true gesso. Egg tempera has been described as the closest painting technique to drawing, hence my draw to this medium.
Some works were born to be prodigious. Once the preliminary lines were laid within the first minute, the quality of the shapes, the diagonal composition and the weight were balanced out.
With the black mass as the hood, a face, hidden underneath, is unveiled. With the addition of the black fingers and the white hand, the full figure surfaced naturally.
The black fingers are the minimal suggestions to add character. The title `Remorse’ came about because of the bowed head and the pose.
utube clip: https://youtu.be/mb48rCx-lYI
A 3-eyed creature I've been designing. The lower drawings the designs I'm leaning more towards. I was messing around with colors a bit, and they're the ones with the color pallet I'm leaning more towards.
OK, I'm not saying it's mind-blowingly good. Rather, I want to allude to how this picture came about: I painted it with a hammer! You can find the complete creation process on my blog at https://christiandrab.de.
Drawing florals in the landscape scenery was a pleasure I gave myself on Friday afternoon.
Just a relaxing and creative process without any expectations is something every artist needs.
Give yourself a bit of pleasure today
This year I'm discovering a new art medium - gouache. I'm going to paint more traditional art with gouache and watercolor.
Recently I purchased a great Domestika Course by Ruth Wilshaw: "Painting Atmospheric Landscapes with Gouache." to learn and develop my painting skills.
And here it's - the result of silhouettes practice. I'm so glad because it's a second attempt at gouache painting. I fell in love with this art medium!
I changed the composition, types of silhouettes, and background texture a few times.
I didn't have any expectations about the finished work. It was a creative flow with many changes. I think the creative process looks like this.
Don't be afraid to try.
If you make your art digitally, it's simple. You can:
- create a new layer,
- use shortcut Ctrl+Z.
In traditional art, it depends on the art supplies you use. Sometimes you can try more times. Sometimes you need to start again.
But any attempt is better than giving up.
Drawing water with reflections was a new challenge for me.
I decided to use a less saturated color palette. It looks like a foggy atmosphere around the forest. Something different
This is the second painting of my dragon series, and it was actually the moment at which I decided to make it a series. It was at the beginning of this year when I was trying to decide on a topic for a series to exhibit. I had gone through quite a few subject matters and even started researching on one of them, when I got really mad at a relative's attitude and just felt the need to paint a dragon. And with a second finished dragon piece in hand, I said: "This is it. I'm gonna make a series on dragons."
