I spotted this Frankensteined bike out side a house in Haarlem (small town outside of Amsterdam) and have no idea how you would ride something like this safely but it was gone the next day so imagine someone did. Think you would have to be high in more ways than one to ride this bike. from. my series Bikes of Amsterdam.
What happens to the animal kingdom once used and abused for human entertainment? This drawing represents the spirit of those creatures, once killed for sport, taking their rightful revenge on mankind. There's no room for bullfighting in modern society.
I wanted to explore a fictional future that combined traditional fantasy races with a cybernetic future. An elven adventurer takes a health potion, depicted as a futuristic vape, before heading off on her next quest.
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
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Urh.-Nr:1811955
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Copyright by Carolina Matthes
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
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Urh.-Nr:1811955
.
Copyright by Carolina Matthes
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Another flower demon heavily inspired by Slenderman.they are mute and faceless.they aren't that dangerous, they are actually known to be a gentle giant.they have an affinity for everything nature.they are also a dimension traveler.height is 7.0
My drawings creating with a fine liner, pencil or color pencils and brush pen.
Sometimes they are also different collages.
They are a figment of my imagination
The Edge of Night
We are living in the days on the edge of night
You can see the darkness swallowing up the light
As the world of man accepts wrong for right
Time is short, and it is foolish to waste it
By debating with skeptics that faith in God is intellectually
bright
We are living in the days on the edge of night
The enemy’s delusion is thick
So, walk by faith and not by sight
Don’t lie around sunbathing in the light
We must pick up the banner of Christ
And work as long as there is light!
(January 23, 1994)
His name in German literally means the ice cream man.he is a giant snow clown who lives in the icy mountains of Dulcelandia.he is one of the first enemies Sweetnette and Cotton Fluffe encounter.he grabs them with his hands.he has stretchy powers.he can also summon snow monsters as he pleases.they defeat him by fireballs via their wands he and his monsters melt away.quickly the princess and the prince escape.he is able to regenerate since he is immortal.he is a 60 foot snow giant and he is maniacal yet clever at the same time.
I created a series of mini-flyer to promote Jesse Lent's show. The show venue becomes the inspiration and the series was produced with hand-drawing line-marker style with one punchy bold color.
