Their tentative name is the Child of the Valley. I wanted to craft a small story to go with this image, but it proved too formidable a task for now. All I know is that the rider needs to be very careful about what he says to them.
This started out as the result of the art prompt, "beauty", during one of weekly digital art share sessions that I run on Discord. And then I took it, and ran with it.
It's the King of the Monsters, along with a bunch of his classic Kaiju buddies. Godzilla, Mothra, Rodan, Jet Jaguar, Anguirus, Baragon, and of course, we can't leave out Minilla.
I started drawing this all the way back in July 2019, when the King of the Monsters movie was released. But I left it alone for a long time until just recently, when I needed something to work on while streaming. I wanted to make this a fun looking image with stylized versions of Godzilla and the gang, but originally Godzilla himself was drawn a lot sillier, and I toned that down when I went back to it. I had to make Godzilla look like he was in charge, after all!
This drawing is of a slightly older individual and the rendering is deliberately incomplete. The unfinished nature of the image alludes to the idea that although aged, the individual has not reached the end of their lives. Therefore the subject has more living, growing, and maturing to do.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Sometimes, a good goodbye is also a fresh hello.
As we wrapped up our "Sacred Spaces" paintings, I asked our student teacher to design a one-day project—something playful, earthy, and engaging to ease the class into her care. She brought mud. Literally.
Using mud and simple stencils, students pressed images—flowers, insects, wings—onto the sidewalk behind our school. There's something timeless about making marks with the ground itself. It felt ancient and immediate at the same time.
These prints won’t last long, but maybe that’s the point. A fleeting image, a shared laugh, a new hand guiding the next phase of learning.
Art is about making marks. Not all of them need to be permanent.
The photo captures a shimmering, festive Christmas moment with a beautiful young woman posing in front of a lavishly decorated Christmas tree. She is wearing a glamorous outfit consisting of a sparkling butterfly-shaped crop top and a short white skirt, paired with elegant high heels. The surrounding space exudes a warm, cozy atmosphere with wooden walls, vibrant red ornaments, and green-and-red pennant banners hanging above, creating a lively holiday scene. A black chair nearby, along with festive decorations like a fabric Santa Claus and candy canes, enhances the Christmas spirit. The woman in the image radiates a gentle yet captivating beauty, with her long, flowing black hair and a charming sideways gaze. The combination of modern fashion and a classic holiday setting creates a stunning composition, evoking a sense of warmth and romance.
This image is copyrighted and DMCA registered. I strictly prohibit all of you from posting this image on other online forums. If I discover it, you will receive some reports from me. Contact me via: thichminhbaovn@gmail.com
The image shows a stylized, colorful graphic design of a multi-legged creature resembling an octopus or squid, presented in a pop art style with vibrant red, blue, yellow and white color variations.
I’m pretty proud that this looks pretty fluid, and the hand looks pretty hand-like. Sorry that the image can’t be further away without showing my math notes so it had to be in a screenshot thing lol
Whenever I make an artwork. I start with a random image and just start flowing while I edit. I belief that this will lead the result to deflect the state of my mind. In this case it was a photo of me and my cat. Take a moment a find the message this picture has to offer you. I hope that I was able to add something to your flow of thoughts.
I came upon this startling image on the grounds of Ringling Art Museum in Sarasota. Amazing to suddenly see an image of a mythical person looking at you from inside a tree.
This image kind of represents my life... seemingly peaceful, but in all actuality is a whirlwind of emotion and ideas that just end up being torture. This is more of a vent.
Hand drawn repeat pattern design, I used ink and then pencil crayon on top. The idea was to create a realistic scene of what life was like for me in the 80's - as opposed to cutesy images of children playing with puppies etc.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Tried out some layerish-style flowers using the alcohol markers. Not sure weather I like the result or not, but it’s definitely worth mastering the medium for the effects are rather cool. In theory... Unfortunately the camera sharpens the image and the flowers are more soft and blurry in reality. They look rather fancy and mysterious on the opposite side, too.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
Fisher Friends, an oil painting of a Kingfisher, is inspired by cherished childhood memories spent by the River Tyne. This piece pays homage to the joy of growing up close to nature—the serene beauty of the river, the excitement of spotting wildlife, and the rare delight of seeing a Kingfisher.
The original sketch came from the prompt ‘organized’ which immediately made me think of my label maker. It grew from there and I first posted it on what happened to be the 25th anniversary of the film Practical Magic! Let me know if you spot the homages…
