“Just as the permanent foundation of the ground provides the springboard for voyages into outer space, so it is with the more mysterious flights of imagination.”
— Roland Penrose.
Super Nationals at the Gaylord—two rivers running through the lobby, actual boats gliding under glass ceilings, a nature center tucked between restaurants. Noise everywhere: kids, clocks, pawns and queens. Yet here, in the middle of it, a pause. A man leans back with the weight of waiting. A woman sits, at ease but still seeking. An empty chair remembers everyone who has rested there. In a place built to dazzle, what lingered with me was not the spectacle, but the silence. To draw is to honor the quiet within the clamor.
thinking and seeing for better being — https://forming20.com/
Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character.
With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer.
Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.
Sketch of a flag surrounded by sadness. Featured in ART GALLERY GERMANY by Mark Fischer, WORLD OF ART & PHOTOGRAPHY and ART GALLERY CHINA by Mark Fischer.
Rediscovered the German language versions of Peter Gabriel’s third and fourth albums (terrific btw) and come ‘Schock den Affen’ was intrigued at how the German word for ‘monkey’ sounds a hell of a lot like orphan… of course that might just be my ears, you know?
