For this fifth day of this week about pets today it's the turn of Phineas and Ferd's pet platypus, who although he seems like an animal that doesn't do many things, he's actually a secret agent when no one's looking, none other than Perry the platypus
In this scenario, Gattie Gator is being (possibly) coned or scammed into buying something from a smiling salesman. While her aquaphobic brother (hence the innertube) is about to be a snack for some furocious creatures. Will Gattie be save her bro in time? Or is he doomed to be a disasterous dinner special?
Recently, I found this cartoon called "Rudolf" (not Rudolph) and instantly took a liking to the main character. The pose that I drew here can be found at the Youtube link below. https://youtu.be/mVCPCMMyWrU
I have given my students the problem of creating 100 self portraits in 20 days on 5x7 in paper. The challenge is to create something other than an image that depicts a 'dead-pan' stare. When the brain is given a problem, it goes to work immediartely to solve that problem. I have seen some wonderful solutions. This is a tall order for teens who are sensative to judgment and still developing in thier perception. It has generated wonderful discussions of self-awareness, world view, and judgment. Those who engage in the exercise in an authentic manner have only good things to say about the experience. It is not an exercise for everyone. We are on a journey. Be Bold! Be Honest! Draw what you see. Draw what you think. -Peace
4 of 5 of the characters I scrapped due to changing the tone of the story. This character is half mythic-a ziburinis but flames are purple and half human.
Color Pencil over Gesture. It was a contemplative day in the art classroom. Students were drawing self portraits and I had time to join them. Our discussion was on 'Reflection'. The image we see of ourselves in the mirror is not what people see when they look at us. They see the reverse. The mole on my cheek is on the other side of my face, if you were to look at me in person. This leads to discussions of perception and reality. It can be fun and humbling. We cannot live only by sight. We must have a faith of some sort. This reminds me of the Michael Feldman Public Radio Program called: "Whad'Ya Know?" It opens with the audience shouting: "Whad'd Ya Know?" and Michael replying: "Not Much! You?". We do not know much, I think, as much as we like to pretend that we think we do.
A character concept drawing of a pirate vampire character I created for a collab writing project that died. His clothing and even his hair borrowed aspects from various jelly fish as inspiration. " The snap of inky sails catching the wind punctuated the subtle wooden creaks of the Sea Nettle as it slid over glossy black waves. The night was oppressive. With the moon obscured by clouds, the ship, with its doused lamps and its dark wood was nearly invisible as she crept closer to her prize. Tallis stood on the forecastle, one foot propped against the railing, his hands supporting a spyglass. He drifted the lens between the lights below deck, counting each of them and making note of any movement on the upper deck and in the rigging. A single sailor was at the helm. Another was lazily standing beside him, possibly engaged in conversation that distracted him from his watch. This was to be expected, not many would dare to disturb such a well-equipped vessel of the Luthen royal fleet. Nettie's crew was lesser in numbers, but they were experts in what few on the high seas could manage. Tonight, would be a quiet strike. Open combat spelled unnecessary danger for his crew."
Konishi Mansho (1600 - 1644), the last ordained priest to serve in Japan during the prohibition era of the Tokugawa Shogunate (think of the Shusaku Endo novel, "Silence", which was adapted to film by Martin Scorsese in 2016). Exiled from his homeland in 1614, he eventually made his way to Rome and enter a convent to be ordained as a priest. He would later to his home country to minister to the persecuted Christians there, only to be arrested and martyred in 1644. I tried to mimic a traditional ink painting style to invoke the melancholic feel of this homecoming journey.
Julia Ota, a Korean girl who was brought back to Japan during the Imjin Wars (1592-1598). She was adopted by one of the Japanese commanders, Konishi Yukinaga, and was baptized as a Christian in 1596. She eventually became a lady-in-waiting to Tokugawa Ieyasu, but was later exiled to Izu Islands for refusing to recant her faith. Wherever she went, she became admired for her charity and evangelism, and she was revered as divinity on the islands up after her death up to the 20th century.
Water heals and purifies. It also kills and destroys.
Few symbols encompass both the life-giving and death-dealing properties of water as the sacrament of baptism, which represents both the passing of the old self and their rebirth as a new creature (Romans 6:3-11).
Here, the image of death & rebirth is also reinforced by a dragonfly motif; the dragonfly spends the first years of its life in the deep waters as a nymph, and is completely transformed into a new being as it rises to the surface.
Unlike butterflies, a dragonfly undergoes several molting processes after its emergence, showing that, while the creature is already made new, it is not yet perfected, and must grow in its new identity through what is called progressive sanctification.
The work's title refers to the Christian daimyo, Konishi Yukinaga, whose baptismal name is Augustine, and is the primary subject of this image.
