This is my latest project as of March 15th. It was a request from my cousin. It is based off his original photograph. As you can see, i’m just putting the base shade on it. I’ll have to add the details of the fur after the shading is dark enough
And that’s a wrap from this current sketchbook! Closing things with some Peter Falk wisdom I’ve shared before, I think…
“My idea of Heaven is to wake up, have a good breakfast, and spend the rest of the day drawing.”
New sketchbook time already? Seems like it!
Kicking off the new volume “Digital Analog Native” with some Tails fan art, because that’s how we do it :-)
Only my second time tackling the lusca as a drawing subject… hopefully it checks out!
“The Lusca is a legendary sea monster from Caribbean folklore, primarily said to inhabit the underwater caves and blue holes near Andros Island in the Bahamas. Described as a massive hybrid—often half-shark, half-octopus—or a giant squid/octopus, it is rumored to reach lengths up to 75–200 feet.”
Starring Lesley Gore: You don't own me (1963). Let me tell you a story about women struggling to build careers in "man areas" as if building a house of cards. About a 17-year old girl singing a feminist anthem written by men in the 60s music industry dominated by men. About a young female journalist called Gloria who was supposed to write in "Womens' pages" only. About the same woman shouting out to the pink hats in 2017 as she already did to women in the 70s. Tricolor linoprint using one lino plate. December, 2020.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
