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me

TanyaSkunk TanyaSkunk
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Detail practice

This is a bigger illustration then what is shown in the photo. webcam sucks I need a new camera.

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Richard A Maker Richard A Maker
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Bounty Hunter

An idea someone wanted me to draw... :)

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ana ribeiro ana ribeiro
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Uma menina e o cão

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Rigo Montes ♓️ Rigo Montes ♓️
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Why hast thou forsaken me

Pencil and paint marker

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Teddy Edwards Teddy Edwards
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Death jokes

It makes me uncomfortable when you joke about death

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Valériane Duvivier Valériane Duvivier
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Starbucks mermaid

I had 20mn to kill in a starbucks coffee before an appointment.I had my watercolor and a cup of coffee for inspiration.No regret.

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Taylor Johnson Taylor Johnson
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Something different

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Kitsune Kitsune
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BNHA/MHA Fanfiction Character

I redrew this character for SyntaxReality on Quotev because their BNHA fanfic and character design was really cool, so yeah.

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Robert Falagrady Robert Falagrady
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Camera on

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Ben Ben
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Life drawing

This model was muscular and handsome. Not sure I got that right in the drawing. I could not fit the feet and had to draw the hair in the margin.

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Kitsune Kitsune
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Ying Yang

You can't see the dots and I didn't draw the circle well but behind him is a Yin-Yang. I don't have a name for him yet.

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Kitsune Kitsune
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Kitsune Kat

This is one of my first OCs, notably named Kitsune.

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Liz Liz
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yuck

aww man

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Cobi Rogers Cobi Rogers
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“His Name is Buck!”

The most dangerous criminals are the ones who steal arms and advanced technology from Area 51.

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Charlie Haggard Charlie Haggard
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Messy

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe

Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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Sonja Monica Beijneveld Sonja Monica Beijneveld
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Blow you worries away

Original painting, acrylic on canvas, part of a series of naive paintings, each now with some text on Youtube: https://www.youtube.com/channel/UCGF4ezQTQ15R9DziAz08efw

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Sevda Khatamian Sevda Khatamian
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Concealed

The leaves have grown so much you could barely see the house, as if it's hiding, as if it's not even there. I could only see bits and pieces of it out my kitchen window.

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Tony D Tony D
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Started as a cube ..... Follow the red - one plane..

Deceptive doodles using standard geometry & pencils....

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Robert Falagrady Robert Falagrady
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Creamer

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Old bone story and artwork Old bone story and artwork
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Art idea, line number 4, outsider art painting ,psychiatry

For some stories, it is best never to be told. A3 format

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alex. bartfeld alex. bartfeld
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retired flamenco dancer (possibly)

done while in caffe and looking for something to draw' without beeing noticed.

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Pooja Mehta Pooja Mehta
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Ganesha

Art enables us to find ourselves and lose ourselves at the same time!!

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » de la leçon de piano de Pierre-Auguste  Renoir

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » du Richelieu de Philippe de Champaigne

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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Theresa Polenik Theresa Polenik
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Queen of Hearts

My Queen of Hearts ♥️

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Robert Falagrady Robert Falagrady
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Ha ha listen to me now

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Jana Cechova Jana Cechova
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A movement study

Pencil on a paper - A movement study

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cake nightmate cake nightmate
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just some scechs

four skeches that are ok? i guess? idk but there u go

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R R
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Genesis 32:23-33

Jacob named the place Peniel, "Because I have seen God face to face," he said, "yet my life has been spared."

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