media

One with all the festivities in mind.

Freaky, yet chilled-out coffee vibes.

One for all those Inktober folks out there! Rest assured, despite what the verses say here, you're as mad as march hares in the best way possible. :)

Four Tet's good for my creativity, no doubt about it.

A little thanks to the works of Ariel Pink for this one. If you’re anything like I am, grooves like his always get you through your creative process

I drew, I collaged, I pasted and just arted in general. Times are good!

Today's cut-up fest, inspired by the works of Anthony Burgess and Stanley Kubrick.

This started out as a pen & ink doodle on a napkin at Wendy's. This turned into a mixed media work. It used pen & ink, some ink markers and some acrylic pens.

After yet another afternoon of mind-drifting, I found something I wasn't expecting. One thing over the years, memories are bound to forgotten if I don't recognise its importance in practice. In this case, it was a basic yet very crucial element for my dynamic pieces: curly lines. Continuing from the "spirit" of that character drawing yesterday, I started early today with trying to draw the character in its updated form. Suddenly, I ran into a roadblock: I was unable to bring it to life. Running through nearly a dozen sketches, something felt missing. A bit frustrated, I just lounged around the place and listened to some music played on my phone. Turning it off after a while to prevent the media distraction trap, I just started to let my thoughts wander and looked through different things, asking myself some things... My work felt a little blocky lately. It almost felt like I was focusing too much using certain details as a starting point to improvise from. This results in me struggling to build outwards into a full picture. Often, I find myself losing track of the original concept, which frustrates me. One thought then got into my head. It was something I enjoyed in the past years, which was the concept of "Flow". Suddenly, I felt signs of an answer. The original drawing "White Bird" came into my mind, reminding me of how I started drawing that important piece. I still have a strong impression on how I started it. It started as flowy lines to carve out an outline, vibe, or energy, or whatever my mind finds to describe. Later, I would slowly narrow out the details and sharpen its precision, almost like carving a figure out of nothing. And there it was. Sketching the core or skeleton of an idea, adding the main shape, before narrowing down the to details and precision. A very basic skill in drawing that I have forgotten, as dumb as a nitwit. If I had the core idea there from the start, I wouldn't have lost it right? Putting it into practice, I saw its immediate effects. Curly lines were the only thing I used, and suddenly the White Bird was flying and "alive" again as it should be. Man, I have recorded these for years, within my personal achieve of sketches. Yet, I somehow forgot them like an idiot? I am just speechless. It almost feels like I am back to square one, although there was a takeaway. I have learned the lesson of forgetting this basic practice, which led me astray for all these months. Seriously, I really have to remember how important it is. Putting that aside, I have noticed that I have these 2 styles. One was that "start from a detail and spread out", and the other was the "start from the big picture and narrow down". I had instances of success in both, which gave me a slight dilemma on which to choose. It is obvious that I can't limit myself to either, that would be falling for the stupidity of Duality. My own solution, would be to use either when the situation calls. I can't forget either, I just need to know when is the correct time to use it... ==

One year towards autumn a geologist was living in the pilots' hut. He couldn't speak either Finnish ow Swedish, he just smiled and flashed his black eyes. He would look at people and immediately make them feel how surprised and happy he was to meet them at last and then he just walked on with his hammer and hammered a rock here and there. His name was Jeremiah. - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

Well friends just got done creating my new logo to represent my ministry. The design incorporates symbols that represent both writing poetry, commentaries, short humorous stories. This is represented by the quill pen. My fine art, commercial art represented by the painter's palette, and illustrative tools. The colors running to the center of the palette to from the cross, represent my Christian ministry. Going to FedExs to have business cards made. Planning to use this logo for my art fair booth

Acrylic mixed media on paper with a linocutprint.

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ghostly doodle of dalmatian furry phantom

Printing on foamboard https://www.bigmediaprinting.com/foamboard/

Copic, Arteza colored pencils

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White butterflies, purple flowers, summer, simplified

Watercolour and coloured pencil on watercolour paper.

A5 fine liner, ink on paper plus imagination

Art was created in acrylics and colored pencils on gessoed illustration board. Size 9 x 11 inches

Artist and writer. While undergoing treatment for Patulous Eustachian Tube, a refractory ear disease, they developed an interest in Digitalnature and Computer, leading to their pursuit of media art creation. In March 2023, they exhibited “Bonsai Woven by Nature and Technology” at a multi-purpose exchange hub, later completing a masterpiece in electronic art. In April 2023, the work was showcased at the NFT digital art online gallery Media Art Gallery. In September 2023, inspired by memories of reforestation efforts, they exhibited a photography piece at a garden show in Kansai, expressing a strong desire to engage with reforestation through art. In 2024, their media art was exhibited at an NFT exhibition at Kyoto Miyakomesse, continuing their exploration of the fusion of digital technology and nature in artistic expression.

(Warning) (this acount is only for teenagers and adults alike,) (18+)

Used Ohuhu markers, ArtPop fineliners, and Prismacolor colored pencils

Was practicing with my watercolor pencils. They're pretty good the more I get used to them ^^

Watercolor, color pencil, with pen and ink outline.

Se riesco ad accettare che il mio mondo interiore può essere estremamente vulnerabile e che forse posso cadere mille volte, in cui mi sembra di essermi dimenticata tutto quello che ho imparato, ma altrettante sono le volte in cui ci provo, allora del fallimento poco importa. È solo una salita, e abbassando le aspettative verso la presunta performance che dovrei avere, posso perdonarmi anche quando proprio non vorrei, anche quando tutto quello che detesto di me viene a galla, anche quando cado troppe volte nelle stesse buche, quando penso troppo e la mente diventa un groviglio confuso dal quale vorrei scappare, quando mi deprimo troppo e respirare sembra insostenibile, quando perdo ogni speranza nella mia capacità di vincere le crisi, quando vorrei piangere, ma mi dimentico come si fa.

Self-portrait - Taste - mixmedia on sketchbook - I would like not to let myself be afflicted by the influences of the past, even when they return forcefully, by the panic they create in me, by the pain that still manages to seduce me in such an attractive way. I would like to fight for myself because every time I have done it I have never regretted it, not even when I failed. But I would also like to give myself the rest to sit back and not have to overdo it: to sit and savor what is there, and also savor nothing if necessary.