f someone can point me in the direction of a Lowly Worm plush for my collection that would be greatly appreciated, heheheh! Must confess though, I didn’t grow up with much in the way of Richard Scarry…
A striking, high-contrast graphite study of a hand in the act of writing. Created in a rapid 45-minute sitting through self-observation, this piece captures the intricate anatomy and focused tension of the artist's own hand as it holds the pen. The tip being pencil the top being pen and finger tips slightly smudged incorporate all aspects of the mediums used to create it.
So you remember a couple days ago, when I made that paper doll, and I said I'd post a picture of her in her clothes? Yeah, well, I lied. I made a new OC, and I was just too excited not to post them. Their name is Kawehi (which you might have already guessed from the title) and I would have drawn their dragon, Silver, with them, but I unfortunately can't draw dragons. I drew and inked them on paper and then colored them digitally, since I have a pitifully small selection of markers.
*Ps:not my bestest work at all! even I took 11 days on this aka 1 an half weeks on it and I liked finished ver better then inked ver!* (finished ver is better)*
(Ps emma fan pride month is very soon
This is a traditional art illustration produced with Copic markers and Prismacolor colored pencils, on a blanks sketch cover for an All Star Batman#01 It features Micheal Keaton and Michelle Pfeiffer from the Tim Burton films. See more at Sketchcardsandcovers.com
I drew this mechanical horse. I had this idea of making my favorite animal with gears and plates and all kinds of weird stuff. Eventually it grew into this large drawing. Mechanical Horse - Mixed Media (Ink and Procreate) - Janelle Dimmett 2026 - www.janelledimmett.com
The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
A captivating original painting by Ty Patmore depicting a dandelion seed head bowing under its own weight. The Seed Crown uses powerful shadow work to give this common sight a monumental presence, reminding the viewer of the beauty found in nature's final, quiet moments.
I did this artwork for a public art exhibition called "Home is where the Art is". Initially the drawing was supposed to just be a open mouth with a snake coming out of it but I felt that it lacked a story and a strong enough message so I drew the other snakes on and added the 2 other faces. The story behind this image is entirely up to the viewer but my take on it was that different people react differently to certain information, my main focus was the distribution of secrets and since many teenager refer to people that let their secrets loose as snakes I thought why not depict it in that form. The drawing displays three reactions to learning another's secret, one passes the secret on to another, the other defends it ferociously in your face but lets it slip loose when nobodies looking and the other receives the information and holds onto it
