IDK, this drawing was inspired by this, so partial credit to whomever drew this^^: https://www.pngitem.com/middle/iboJJJm_zerotwo-zero-two-darlinginthefranxx-darling-in-zero-two/
The logo is for a medical supplies company. I hope you like it. The name of the company is written in English and Arabic at the same time. You can read it from left to right in English, and from right to left in Arabic. I will leave it to you to guess the name of the company. Besides, I also hope that you can find the word in Arabic. I am so excited to see your comments.
Christmas is getting close now, which is why I'm opening these up! I really need a budget for X-Mas shopping :3
I PAY WITH PAYPAL AND KO-FI
So the budget that I need is 50 USD Lets see if I can make it :P
Well actually more if I want to continue drawing, my computer is 7 years old and will die soon and since my art tools are my computer, mouse and Microsoft paint I will need to save up for another one as well XD
As you see they are hip-ups/halfbodies, however here are the prices for other commission types:
Headshot/Portrait: 2 USD
Ex. At the top but the body stops at the shoulders.
+ 1 USD for Additional character (Up to 3)
Bust/Waistup: 3 USD
Ex.
sta.sh/0fmesdmqg5l
+1.50 USD for Additional character (Up to 3)
Hipup/Halfbody: 4 USD
Ex.
The picture on top.
+ 2 USD for Additional character (Up to 3)
Kneeup: 5 USD
Ex.
sta.sh/01v0zn4cxkwg (A bit older drawing)
2.50 USD for Additional character (Up to 3)
Fullbodies: 6 USD
Ex.
sta.sh/01l5np7libm5
sta.sh/0k4t3zcb6sk
sta.sh/01wqafsay981
sta.sh/0i1cc8jbrf4
+ 3 USD for Additional character (Up to 3)
Do not draw:
-NSFW (You know complete nudity)
-Overly fat or muscular characters (I can try but just not the extreme you know)
- Furries/Anthro
-Extreme gore (Some blood, bandages, scares and such are fine)
Except that I can draw a bit of everything.
What you get list when your commission is finished list:
-Your drawing without watermark (Both sketch and finished version)
-High quality image (Original file)
-Transparent image + simple background image.
If anybody wants a commission please comment down below.
Waiting list
I think they had a disagreement...
(my friends and I like to challenge each other to draw random little scenarios like this...try it, it's pretty fun!)
I wanted it to look like the chalkboard menus in quirky cafes. I drew the image with a Blackwing pencil, scanned it into Photoshop, inverted, then applied the colors.
While waiting in line at a convention to meet Erika Harlacher-Stone (the voice of Violet Evergarden), I sketched this from a reference. Pretty cool moment to see her reaction when I handed it to her, and I'm happy to report that she is indeed a lovely person.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
“Revising the Future” captures the exact moment creation becomes correction. Using my own drawing hand as the model, I built this piece through a cycle of sketch, pause, observe, and refine — letting the act of drawing guide the artwork itself. The eraser actively lifts portions of the page, symbolizing the choices we adjust as we grow, the mistakes we confront, and the quiet courage it takes to reshape the path ahead.
I spent christmas holidays 2015 inking a very small children's book as a present to my friend's kids. About 20 pages or so. Here the main character of the story is tuning the instrument owned by The Strange Animal, with help from The Whistling Compass. A terrible noise from The Magical Forest was disturbing the night sleep of a local king and the problem was solved thanks to our protagonists skills.
its hard to keep good proportions in this turn or shift of the female body, n its more tridimentional by the wey,,,tell me what youthink please,,,,,,,,,,,pencil no reference,,
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
Well friends just got done creating my new logo to represent my ministry. The design incorporates symbols that represent both writing poetry, commentaries, short humorous stories. This is represented by the quill pen. My fine art, commercial art represented by the painter's palette, and illustrative tools.
The colors running to the center of the palette to from the cross, represent my Christian ministry. Going to FedExs to have business cards made. Planning to use this logo for my art fair booth
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
An exuberant, almost psychedelic take on a magical mushroom. The bright chartreuse cap is adorned with striking magenta spots that pop against a textured, almost chaotic background. The bold, black outline gives the subject a playful, cartoon-like presence, while the energetic brushwork suggests movement and a sense of wonder. Signed and dated by Ty Patmore, 2025.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Recently re-watched.....a....certain...movie.....and felt persuaded to do this. I really liked the art style (not that i could do it myself) and wanted to try it in my own way. If you know what movie i'm talking about then feel free to comment it; i'm interested to see how many there are. Also, i would love some feedback on my art, this is the first one i've done with words in it sooo hopefully it "works".
