Due to financial/logistical reasons, I can't do literal linocuts as often as I'd like, so I draw my illustrations in reverse, flip them digitally, have them printed, and then color them in by hand. The result is basically an "artist's print". I only make one of each. These were watercolor, but I've recently discovered gouache, so keep an eye out for future pieces that incorporate that.
Have you ever felt like you were scratching at the surface of a breakthrough? I'm in the middle of what might be something major or might be nothing at all.
My current sketchbook is the lovingly titled "Blue Sketchbook." Feel free to enjoy its many, many pages, plus two bonus zoom-ins of favorite spreads! Let me know if you have any questions.
I'm working on a series of childhood stuffed animals versus child monsters (i.e. the safety of home vs the real world and its bullies). I haven't done the monsters yet, but here are the stuffed animals. I drew them from memory as opposed to referencing what Cheer Bear and Rainbow Brite's dog looked like. I looked after. I didn't get them quite right. That's OK; I think the wonkiness adds to the charm. These are drawn in reverse for a woodcut effect, then scanned and printed and gone over with gouache and watercolor.
This project consist of 3 different gouache/ watercolor paintings with pencil details on top. I actually made these for a specific purpose, but I made make more, since I really enjoyed making it!
