6"×8" watercolor, marker and ink on Strathmore Toned Tan 140# paper with Swarovski crystal embellishments. This is for sale in my etsy shop, you can find the link on my Facebook page
f someone can point me in the direction of a Lowly Worm plush for my collection that would be greatly appreciated, heheheh! Must confess though, I didn’t grow up with much in the way of Richard Scarry…
“Just as the permanent foundation of the ground provides the springboard for voyages into outer space, so it is with the more mysterious flights of imagination.”
— Roland Penrose.
The symbolic painting "Expectations" is filled in with both literal and metaphorical meanings. Time passes very quickly, but when we are waiting for something, it practically stands still. Expecting an event can be unbearably tiring, or it can be enjoyable. It all depends on the circumstances. And everyone can remember something similar. The girl depicted in the painting is possibly expecting a child, or perhaps some other event. She gently hugs the clock, a symbol of time, like the belly of a pregnant woman. This expectation reveals all her inner feelings, doubts, fears, and hopes associated with this event. Time drags on for an impossibly long period, so long that it seems to her that she has already grown old from this expectation. In the painting, the artist indicates this with the gray hair of a young girl. Despite the long wait, the girl smiles and hopes for the best. The artist used warm pastel colors of oil paints on canvas with gilding. The painting was created using clockwork to enhance the meaning. The artwork "Expectations" is part of a “Time” series of paintings with clocks.
Daily drawing (#293) from the Joe Rogan Podcast of the comedian, Bill Burr. Pencil drawing and colored in Procreate. (Time lapse animation of color being applied can be seen here; https://www.instagram.com/garybernardart)
So this is my darling Dolores. She is mixed cultures, Dad is Hispanic and mom is African American. She is a very mischievous character, she is a little girl you should be concerned about. But she does a BFF, he is in the works still. But when the kids see her coming, they get real nervous.
I love drawing elves and ponies, so here we go! A good dose of both! : ) Elf Maiden with Pony. Mixed Media - Janelle Dimmett 2023 - www.janelledimmett.com
A striking, high-contrast graphite study of a hand in the act of writing. Created in a rapid 45-minute sitting through self-observation, this piece captures the intricate anatomy and focused tension of the artist's own hand as it holds the pen. The tip being pencil the top being pen and finger tips slightly smudged incorporate all aspects of the mediums used to create it.
So you remember a couple days ago, when I made that paper doll, and I said I'd post a picture of her in her clothes? Yeah, well, I lied. I made a new OC, and I was just too excited not to post them. Their name is Kawehi (which you might have already guessed from the title) and I would have drawn their dragon, Silver, with them, but I unfortunately can't draw dragons. I drew and inked them on paper and then colored them digitally, since I have a pitifully small selection of markers.
*Ps:not my bestest work at all! even I took 11 days on this aka 1 an half weeks on it and I liked finished ver better then inked ver!* (finished ver is better)*
(Ps emma fan pride month is very soon
This is a traditional art illustration produced with Copic markers and Prismacolor colored pencils, on a blanks sketch cover for an All Star Batman#01 It features Micheal Keaton and Michelle Pfeiffer from the Tim Burton films. See more at Sketchcardsandcovers.com
I drew this mechanical horse. I had this idea of making my favorite animal with gears and plates and all kinds of weird stuff. Eventually it grew into this large drawing. Mechanical Horse - Mixed Media (Ink and Procreate) - Janelle Dimmett 2026 - www.janelledimmett.com
The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
