In this drawing, I was striving to capture the spirit of contemplation and reflection, a sort of spiritual sojourn, an ancient practice of pilgrimage, focusing on subjects of transcendent nature, and exploring destinations of spiritual significance. (words taken from scholarlysojourns.com). It is a self-portrait (me as a 14-year-old boy). We had just moved from Mequon to Rhinelander. It was then that I began to romanticize the natural beauty of Mequon. But at the same time, I was falling in love with the beauty of Rhinelander. In this picture, I am walking through the countryside of Mequon. The stringed musical instruments symbolize my love for the progressive classical and folk-tinged acoustic and orchestral music that was coming out of England in the late 60s and early 70s, specifically the quieter pieces of music performed by the Moody Blues, Emerson Lake and Palmer, Yes, and Jethro Tull. A song called Reasons for Waiting by Jethro Tull is a good accompanying piece for this drawing.
I was going for a surreal and moody feeling—dystopian, sort of not. Per usual, my inspirations are pretty noticeable. I am starting to get more comfortable being stylized. I am trying to put emotion in my landscapes. I used Rebelle 6
"She stopped to speak to him, altering her mind, and went on her way."
Trying to learn more about Kay Nielsen's style. He illustrated folk and fairy tales in the early 1900s for Grimm and Disney and others. I love his dark/moody style with everything so flowy, elongated, elegant, and tragic. And his amazing compositions.
Moody Heartsick. A depressed, apathetic nonbinary rabbit who teaches Literature classes. They aspire to be a great writer, not merely talk about them. Pencil sketch, ink outlined, and edited in MS Paint 3D.
After completing “Moody Pumpkins” the foreground looked interesting so I removed the pumpkins modified the remaining foreground and added the trees and sky. Tree colors were selected from the foreground and other palettes.
Trying to meld the moody tones of pulp noir with the playful romanticism of 1950s lifestyle illustration. Inspired by the fairground scene from the 1942 Veronica Lake classic, This Gun for Hire.
I can't draw guns lol,Ruthleen is a 30 year old crime lord who is in charge of exporting illegal firearms throughout various cities,she also launders lots of money along with her partner in crime Parslip longstem who's a parsnip vegetable.Both bring in millions of dollars in illegal activity.they are wanted for their crimes,Ruthleen and Parslip have a mutual relationship with Taffeliers who is a moody drug lord.Ruthleen came from a poor,dangerous neighboorhood and was raised by a single mother which shaped most of her personality,cold and restrained.
Soluto is Princess Neera Veera's archnemesis,just like how Qasaherim is Elvarelyn's archnemesis.He is a fire demon warlord who has an army of his own to destroy anything and anyone on his path mostly weaker demons since he cannot fight stronger,more dangerous demons because that would result in not only his armys elimination but his.He is not terrifying,vile or deadly like a lot of demon warlords because 1.he be defeated easily and 2.he is moody and skittish and 3.he has only killed a few demons.Snidecious and him are very alike,even though snide doesn't want anything to do with him.Soluto Ignis literally means fire warlord in Latin thus why I named him as such.He was difficult to color since I have never colored fire digitally I even tried to search for character speedpaints similar to Soluto's design to get an idea on how to color him but nothing helped however what did help me was looking for similar character designs on google images and getting not only an idea how I colored him but inspiration too.
Quick 1 hour sketch working with a limited palette for a moody, gritty atmosphere. I always like to think of the story behind a piece before I start, and this one was a reflection of where I see the world going - a dystopian world in which many parts of the city have been abandoned, taken over by urban foliage, and left to ruin as people flee.
Sea Change
Print of a pen and ink
9 x 4.75 "
This is an old piece created as part of a series of illustrations for a poetry book entitled "Fruit and Bones" by Elizabeth Zimmers (Yon) back in 2002. Had prints made and just found them again - so I added them to my website ~ which is still a work in progress. Please visit and let me know your thoughts! Next is to add more originals and prints. I am not done with the print on demand but fill ht need I need to add more.
Her poetry was awesome to illustrate - eerie and mystical. She has also written some books https://elizabethzimmers.wordpress.com/about/
A moody, very busy day. I did an ink wash of the beach today, but I'm posting the last piece I drew in the studio instead. I miss the studio and friends there.
My project for a skillshare course I am taking. I am trying to work on developing more textures and drama to my paintings as well as improving on the composition. Any advice or tips that you can share would be appreciated. Thanks!
Painted as a project for Painting Environments class: skl.sh/32Khrti
Project parameters:
- Mysterious Cave
- Dark but with moody lighting
- Mostly warm colors but with single blue flower
- Flower is the focal point - use composition to lead eye to flower
![Venn [it/its]](/images/users/avatar/55477_vennisweird_714578.jpg)
