I got a little emotional when I heard the Lahaina banyan tree would make it through the Maui fire. I found a reference and painted a watercolor of the new growth. I come from a Navy family and was born in Hawaii. Let me know if I got the transparency and shading right or if it is aesthetically pleasing.
I have been watching a lot of sci-fiction lately. Like so many others my age or younger, the weight of global warming sits on my shoulders constantly. I imagined the final trek through a wormhole as someone sees their new solar system for the first time. I enjoy the bright colors and such but wish I conveyed a more bittersweet emotion.
hello :) my boyfriend and i did a trip to costa rica. it was fantastic, chaotic and adventurous and a mix of emotions. we are in a longdistace relationship and i am so grateful that we finally saw each other again there were times on the trip when i felt stressed, because things didnt go the way we planned. Drawing this really helped me to process all the different emotions. And i had so much fun drawing :)
thank you so much for reading, wish youu a wonderful day!!:)
A Japanese demon known as a yokai, who started off as a human but whose emotions ran so deep, she ended up transforming into something much more monstrous…
Moving away from your hometown inspires a multitude of emotions. By taking inspiration from the atmosphere that the game Life is Strange and Steven Universe creates, I hope to convey a sense of longing and nostalgia that makes us all a little more united in our loneliness.
I've tried to bring the feeling of motion into my sketch. I like capturing street scenes and wanted to convey the gritty street alogwith the activity of the tourists and Londoners.
I feel only positive emotions after drawing this landscape.
It's a bit wintery, snowy, and magical.
I love the background texture. But I still need to work on the details.
Recently, I discovered the miraculous power of gouache. I ordered paints a few days ago (still waiting for the shipment). That's why there are only digital versions for now.
I have already purchased a course on the Domestika platform. I'm going to try my skills at traditional painting on paper. It will be a big challenge. Fortunately, I have a great teacher :) Thanks, Ruth Wilshaw, for your Domestika course and daily inspiration to create!
Day 6 of #whimsicalByMamaminia art challenge.
I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root.
And yet… I am assigned to hallway duty.
This is compulsory education, after all.
So I sit—posted like a sentinel—watching young lives stream past.
“Get to class,” I say with a smile and a nudge.
The system wants attendance; I’m hungry for presence.
Armed not with a whistle or clipboard, but with a pen—
my scribble’s soft insurgency.
The hallway stretches out like a geometric hymn.
Columns and corners chant structure.
Teenagers swirl past—half-formed galaxies of limbs and laughter—
their orbits chaotic, their gravity pulling time forward.
I begin to draw.
Not their tardiness, but their motion.
A shoulder. A blur of sneakers.
A tilted head chasing freedom.
Feet flickering like seconds.
Each mark a pulse.
Each smudge a breath.
My paper becomes a seismograph of seeing—
trembling gently through the mundane.
This isn’t about making art for a frame or a feed.
It’s about refusing to leak away in the fluorescent hum of obligation.
It’s a quiet mutiny against the clock.
I do this on long car rides, too (passenger side, mind you).
Letting the lines grow wild, jagged, and unapologetic.
Not for polish—
but for presence.
This is how I remember I’m still alive.
Still growing.
Still watching.
Still choosing to see.
Because sometimes mental health looks like
a piece of scrap paper,
a moving pen,
and the simple, sacred act of
marking time with wonder.
A quiet study of restraint at altitude. Framed through an aircraft window, the world below drifts by while the interior remains still—objects worn, familiar, and waiting. Subtle distortions in perspective and muted tones emphasize the tension between motion and pause, progress and endurance. This piece captures the discipline of waiting while suspended between departure and arrival, where patience is not passive, but practiced under pressure.
The theme was 'tension' in which we had to create a work of art using brown paper bags. In the midst of high school drama and stressful testing seasons, I created this mixed media drawing of a woman screaming and pulling at her hair. The hair is made of the brown paper bags to give it depth and texture. The drawing was created on brown paper with white pen highlights.
This is the second edition of my snake drawing collection, the first one was titled "slipped secrets" and addressed the conveyance of information between certain parties that should not have been shared. This artwork portrays a sense of love and mutual agreement/understanding using snakes as the conceptual medium through which the action and emotion is portrayed
This was an attempt to add more motion to my drawing and play around with telling a story. This features one of my characters, a king of a northern nation that reveres birds, in a harrowing fight.
Hello guys. I just found this website and its seems really cool. I paint now and then and this is one of my paintings. I received a school assignment for my art class to do an artwork based on the society. Without doubting i chose my theme which is "body type". A very close friend of mine belongs to the not so "accepted" body types and it has been a really though time for her even though she doesn't really show her emotions. I painted a girl vs another girl with an atmosphere around them, based on their looks. U can see the difference on how they bring themselves to the society just by looking at their body position. So how the society influence their mental state.(I can only post 1 pic so the next post will be of the another girl) I got a B+ \(^O^)/
Ink straight on Paper. Haven't drawn letters in a while, so there's more to come :) There's a short progress video on my Instagram if you are into stop motion magic fill ins haha
I never imagined I could capture so much emotion in an eye—especially on just my second attempt. This piece came to life through intuition more than technique. The values, the shadows, the highlights… they felt like they found their place on their own. Maybe emotion, light, and shadow have always spoken to me—I just finally listened.
The tables were covered in white paper. Crayons, pastels, and smooth sticks waited quietly. Then came Lucy’s glittery purse—her 8-year-old hands had filled it with stones to pass along, one by one, to the strangers around the table.
We traced them. Pushed them. Held them.
Then we let the colors lead:
-Red for emotion.
-Yellow for curiosity.
-Blue for memory.
Each color came with music, with story, with space.
At the Museum of Wisconsin Art, we made marks not for meaning but for presence.
Thank you to Ann Marie and MOWA for the invitation and trust. And thank you to the participants—some new friends, some old students—for showing up and making lines that listened before they spoke.
I started a new youtube series called Paint With Frenemy. Channeling Bob Ross in short painting videos. Check it out if you like and please like an subscribe! I'lll be posting new videos every Sunday 9am eastern time. This week video I paint a happy little taco with some stop motion animation mixed into the painting process. Link here https://www.youtube.com/watch?v=7Hfj3xBju_c
The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
