movement

An exuberant, almost psychedelic take on a magical mushroom. The bright chartreuse cap is adorned with striking magenta spots that pop against a textured, almost chaotic background. The bold, black outline gives the subject a playful, cartoon-like presence, while the energetic brushwork suggests movement and a sense of wonder. Signed and dated by Ty Patmore, 2025.

Character project for the Youtube channel, W PODSKOKACH, containing music and movement activities for children in preschool and early school age. Our task was to create a design of a child's figure, referring to the Canva style, in positions adapted to the exercises of the gymnast. Full Project https://www.evenflowstudio.com/project/ilustracja-dziecka

This is a sketch of my cat, squeaks, cuddling my partner. This is typically what he does to try to sense movement to know when she’s awake so he can get breakfast. Please give me feedback!!! I would really appreciate it!

A 3 format We love when Puppet amused! We always learn from The Greatest! Warning! The following text is intended for fans of Puppet Zvonko! People with poor cognitive abilities may remain confused. We Puppetapostles, we keep track of what our Lord Puppet is doing, we study each of his movements, each his word is recorded and subjected to philosophical analysis. And always, again, over and over again, our conviction is strengthened every time: He is the God of eternal wisdom and the correct procedures! It is known that Puppet Zvonko - for their own entertainment - whips, branded and cuts people with a razor, often with mortal consequences. We gladly approve of it, it is reasonable to Overpower must feel comfortable and have fun, with us, miserable microbes. We are happy that we are honored with its perfect presence. For the last month, we noticed that his Torture Trinity (razor, whip, stamp) was exclusively used by one unbeliever, just a blow - two, and then Puppet goes away. Instead of showing happiness which the Puppet is experiencing him at all, touching his pagan body with sacred objects, the unbeliever tries to hide, of course, in vain. We Puppetapostles, we also know that most of the inhabitants of the Magic Valley, to say the least, does not approve Puppet Zvonko proceedings (here we mention that those miserable ones, blind with healthy eyes, The Puppet is called a monster, concentration of evil and other totally wrong names). The Puppetapostles remain in their firm claim: Puppet Zvonko sends his sacred, allegorical messages to the inhabitants of the Magic Valley by his actions - and other beings - who are sufficiently mature to accept the truth, final knowledge, the purpose of life. Now comes the time when we need to understand why Puppet bothering just one unbeliever for a month! Have we developed enough cognitive power or we are just miserable microbes - how does Puppet claim?

Pencil - A movement study III

A dystopia, the earth has had enough and the humans are taking off from the planet.

The freshness of morning withdrew in front of the warm rays of the sun. The Wizard of Cirilo Bum and I came to the High Meadow, one beautiful gazebo, where we planned to spend a day off. - Only those who work hard and get their work done, fully enjoy all the pleasure of a vacation - said the wizard Čirilo Bum. I did not answer him, my life plan was to work as little in life, for that reason, I have taught for the wizard at him. By the time we took the time to see the water that emerged from the earth, in the air she created a form of grapes and spirals of various colors that had disappeared in the unknown. The Ghosts of water had fun, trying to show each other their skills. We chose a place on the edge of the High Meadow for our accommodation, where we could watch the landscape: meadows and forests scattered to distant mountains of dark blue. Above us were an old, large yew tree as created to keep us from the strong sun and the negative energy. Below the meadow was stretched by which a dozen young dragons rode along and across, skillfully changed the direction of movement and twisted with their long bodies, they played hunting. Hidden in the crown of a large oak tree near us, pointed snake watched their game with their big green eyes, but I noticed that she quickly dropped into sleep. Then I remember that I did not do some important jobs yesterday, Čirilo Bum will definitely see it when we get home. It spoils my mood a bit, and I pulled out of the baskets a few of the dried sausages that the old wizard worked so well. Full stomach I always better mood. - There are rare opportunities to see the Big Redbeak - suddenly spoke Cirilo Bum - bird right now wants to snatch egg. I stared for a while around so Čirilo Bum says: I said Big. And indeed, I find him so big that several other creatures sought accommodation in his body. Cirilo Bum spent almost all day hovering in the crown of the old yew, napping with a satisfied look on his face. Every time I was constantly tortured by the fact that I would have to listen, a critic of the old wizard, when we come home because of my unsolved tasks. My nervousness I softened so that I ate all the food from the basket. Late in the afternoon, we went home, from the trees they began to descend some new, hitherto unseen beings in search for food or night hideout. Spirit of water was gone, but a good part of the way, perhaps from curiosity, we were followed by other inhabitants of the World of Fantasy, were to me welcome companions, I took my thoughts with them, to the house. A 3 format

Capturing movement.

Watercolour crayon, crayon, fineliner and acrylic paint. ...... .... . Just a rabid smoking dog that isnt an much of an angel. . ..... . .. . . . ..... . .... ....... . . .... . ...... . . . ...... A3 prints available! ... .. . . .... . . . ..... ...... .... .. . ... . .. .................. . . .

It got cold very quickly and the fog was there, moving thickly around us, shutting us in on all sides. The smooth swell rolled out of the fog, crawled under the raft with a swallowing movement and rolled back into the fog the other side. .... Albert picked it up by the neck and looked at it, and it began to screech and flap one wing. Let it go! I shouted. Everything looked so terrifying with the fog and the black water and the bird creeping around and screaming that I was beside myself and said: give it to me, I'll hold it in my lap, we must make it well again. - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.

A character concept drawing of a pirate vampire character I created for a collab writing project that died. His clothing and even his hair borrowed aspects from various jelly fish as inspiration. " The snap of inky sails catching the wind punctuated the subtle wooden creaks of the Sea Nettle as it slid over glossy black waves. The night was oppressive. With the moon obscured by clouds, the ship, with its doused lamps and its dark wood was nearly invisible as she crept closer to her prize. Tallis stood on the forecastle, one foot propped against the railing, his hands supporting a spyglass. He drifted the lens between the lights below deck, counting each of them and making note of any movement on the upper deck and in the rigging. A single sailor was at the helm. Another was lazily standing beside him, possibly engaged in conversation that distracted him from his watch. This was to be expected, not many would dare to disturb such a well-equipped vessel of the Luthen royal fleet. Nettie's crew was lesser in numbers, but they were experts in what few on the high seas could manage. Tonight, would be a quiet strike. Open combat spelled unnecessary danger for his crew."

Crafted after folkloric saying in Terry Pratchett's "I Shall Wear Midnight". It evokes the beautiful movement of the wild hare, gracefully jumping into the bare flames yet not being burnt.

segments , steps, blindfolded, a difference of language between the body and something subtle , lack of movement.click -switch! the union of body and soul , the disappearance of the blindfold from the eyes and the flight between the immensely endless bright layers of fields .I am very curious about the sophisticated nature of things and phenomena: myself, people the Universe, I like to consider and feel them like a multi-layered cake, where each layer has its own history, worldview, and even its own temperature. I love to listen lectures of charismatic lovers of philosophy, design, music, human psychology and I enjoy the excitement it brings and the birth of new layers inside me. I rarely manage to silence my inner critic and for many years I have been learning how to be able to do it productively. I am still in the process though. I treat my life as a long voyage, changing directions and yes - sometimes those around me. I understand that even 24 hours a day is not enough and I definitely realize that my life today is much more colorful and interesting than when I was 20 years old.

Uplift is a illustration of a dancer in its freedom of movements. Everyone should have a right to express and say something in its own way.

Experimenting with dynamics and movement

The M capturer before Jester had a mental breakdown. It's basically just a recolored Springlocker, a suit which looks like an Altitone animatronic, but hollowed out so a person could fit in. It has a full range of movements, and a voice changer, but it doesn't have a voice vix or anything like that. Drawn with FireAlpaca.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

Pencil - A movement study V

Pencil - A movement study IV

A movement study of legs using a male model. 20 minute initial sketch, five minutes for each following, and a final 15 minute sketch. Time: 1hr Medium: Procreate on Ipad

Line drawing.

a planet has continents that are concepts. there are arrows indicating "immigration" and "emigration" between the continents. the continents are concepts.... there is movement between "they/them" , "she/her", and "he/him". there is also movement between "black", "Hispanic", and "white". there is also movement between "Spain", "Mexico", and "Brazil". gender is a concept. race is a concept. nationality is a concept.

"Pisces Koi" is a bold and intricate black-and-white ink piece that blends symbolism with fluid motion. A koi fish, known for its resilience and transformation, weaves through a bed of blooming roses, creating a contrast between movement and stillness. The fine details in the scales and petals bring depth, making the composition feel alive. The upward motion of the koi echoes the legend of perseverance—where a koi swimming upstream becomes a dragon—mirroring the Pisces spirit of adaptation and ambition. The roses introduce another layer, possibly symbolizing beauty, personal growth, or challenges that shape us. This piece captures a sense of quiet strength and fluidity, speaking to those drawn to themes of transformation, water energy, and the balance between struggle and grace.

02 SEP 2023

Created using pen and ink, this drawing mimics a fine art painting I saw in a museum. I loved the figures and their fluid movements, so I doodled it down in my sketchbook and later inked it in for a refined black and white artwork. Check out more on my website ArtsyDrawings.com!

VOLCANA (MARVEL COMICS) DONE 2015. ORIGINAL ART WAS THROWN AWAY Marsha Rosenberg was born in Denver, Colorado. She was a day care center employee who, along with her friend Skeeter, was among the residents of Denver transported to the Beyonder's "Battleworld" during Marvel Comics' first Secret Wars limited series. Seeking power and respect, she and Skeeter agreed to serve Doctor Doom in exchange for super powers. Doctor Doom had learned how to operate a machine utilizing alien technology. He used it to grant Rosenberg the ability to transform into a molten lava form with powerful thermal energy blasts, hence her codename "Volcana". She allied herself with Doctor Doom and the criminal faction and battled the She-Hulk in a confrontation with the heroic faction.[1] During the series, she developed a relationship with the supervillain Molecule Man, Owen Reece.[2] She bargained with the Enchantress,[3] and then battled the Enchantress with the intent to renege on her bargain.[4] During the Secret Wars II limited series, Marsha was residing back on Earth with Owen Reece. They hosted the Beyonder upon his arrival on Earth.[5] She tricked the Molecule Man into challenging the Beyonder[6] and then participated in the defeat of the Beyonder.[7] Some time later she accompanied the Molecule Man and the Fantastic Four to the Beyonder's universe. She separated from the Molecule Man when he apparently became irrevocably merged into another "cosmic cube" along with the Beyonder. Unlike her friend Skeeter who became the supervillainess Titania, Marsha did some superhero work.[8] She battled the Wizard[9] and Moonstone.[10] Volcana assisted the Avengers in repairing the damage to the Earth's crust caused by the Beyonder.[11] Volcana later took a comatose Molecule Man to the army hospital. After Molecule Man recovered, he turned the tent they were in into a hot air balloon as Captain Marvel's hologram wanted to talk. Volcana destroyed the projection. Because of the Silver Surfer, Volcana and Molecule Man were redirected to the Avengers and the Fantastic Four. After a brief fight, Molecule Man and Volcana were allowed to return to their apartment in Denver.[12] Later, she was briefly reunited with a de-powered Molecule Man (who had mysteriously returned to Earth) and battled Klaw. It was at that time that she gained the ability to assume volcanic rock and volcanic ash forms. She subsequently discovered that, just before his supposed "death," Molecule Man had secretly "willed" her a portion of his reality-warping power, and it was this power that gave her the ability to manifest these other forms at critical times, just when she needed them. Once he regained his power from her, she found herself no longer able to tolerate the darker side of his personality. She terminated their relationship, although Molecule Man vowed to one day prove his full love to her.[13] After losing a lot of weight, Volcana attended the wedding of Absorbing Man and Titania. Marsha discovered that Molecule Man was also invited. When Volcana went to check up on Titania following the supervillain attendees' fight with She-Hulk, she encountered Crystal, and Hydro-Man arrived to help Volcana until Crystal was defeated by Molecule Man.[14] Molecule Man still pined for Volcana. He captured Doc Samson, and after a fight with Doc Samson and She-Hulk, Molecule Man escaped and used his powers to carve Volcana's face in Mount Rushmore. Marsha saw the news of this on TV but did not suspect that Molecule Man was who made it happen.[15] During the "Fear Itself" storyline, Titania commented how Volcana just came along for the ride back when Titania was brought to Battleworld as she tells Dr. Wooster at the Farnum Observational Facility in Upstate New York.[16] Nightwatch later hired Volcana and Titania to fight She-Hulk in order to keep her from getting the documents that would incriminate him. With the help of her secretary Angie Huang, her supernatural monkey Hei Hei, and Hellcat, She-Hulk was able to defeat them with Huang redirecting Volcana's fire attack back to Volcana enough to melt her.[17] Powers and abilities Marsha Rosenberg gained superhuman powers through genetic manipulation by highly advanced technology performed by Doctor Doom. As Volcana, she originally had the ability to convert her entire body into a plasma form, in which she blazes with white-hot intensity, at times setting aflame any surface beneath her. In her human form, the 6 ft 5 in (1.96 m)[citation needed] tall Marsha has long black hair, and often wears only her magenta-colored swimsuit; her clothing is manufactured from unstable molecules, thus it is not destroyed when she is in her plasma form. The alien technology that empowered her makes her powers totally undetectable when she is in human form. Her plasma form grants her superhuman durability and consists of highly charged particles which surround her in white-hot flame and is able to emit controlled bursts of thermal energy up to 40 ft (12 m).[citation needed] She later gained the ability to convert her body into a stone form, a volcanic rock (basalt)-like composition which still enables movement and grants her superhuman strength. She subsequently gained an ash form, a volcanic ash (pumice)-like composition whose configuration she can shift, shape and control at will. Volcana cannot make partial transformations; she can possess the attributes of only one of her forms at a time. Monitoring devices subcutaneously implanted by Doctor Doom can be triggered to stimulate the aggression centers of her brain.

Abstract drawing of a structure shaped like a spiral. Colours and shapes added to amplifies the natural movement of the drawing. Raw art, pen and ink on paper.

Pencil - A movement study II