A lot of Dutch families who live in the centre have a bakfiets or cargo bike to transport everyone around. This is an old one that relies on peddle power but thank god for electric motors now. From my series Bikes of Amsterdam.
This sketch is supposed to symbolise the struggle we all have to accept our responsibilities at the cost of our own well-being. It's easy to ignore our problems when there are so many forms of escapism.
I spotted this Frankensteined bike out side a house in Haarlem (small town outside of Amsterdam) and have no idea how you would ride something like this safely but it was gone the next day so imagine someone did. Think you would have to be high in more ways than one to ride this bike. from. my series Bikes of Amsterdam.
From my series Bikes of Amsterdam. Normally it's cyclists I have spotted around town but this is a little day dreaming. Who knows what's lurking in all the canals.
This is another illustration with someone just sitting outside enjoying the day or night. This is not someone existing it’s just some female character. Great to make this more elaborate in terms of styles while adding beautiful effects.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Princess SourGlum's dad and only parental figure.he is not as evil as her, he's actually silly and clumsy.dont really like how he turned out.I might give him a different body shape.He looks like a shadow demon but he's an anthropomorphic black licorice candy man
Another beautiful illustration for today! This is someone playing near the shore on a windy day with some waves and rocky style beaches. The weather seems odd to be out and about outside and this woman keeps her balance courageously against the streams of cold, while her hat is covering her face only because of the stormy weather, she still seems to know what she is doing while she seems to be enjoying this! Another little story for today with another scenery!
"She stopped to speak to him, altering her mind, and went on her way."
Trying to learn more about Kay Nielsen's style. He illustrated folk and fairy tales in the early 1900s for Grimm and Disney and others. I love his dark/moody style with everything so flowy, elongated, elegant, and tragic. And his amazing compositions.
Somehow the tree trunk looks like a female figure to me.
I'm not sure if I really like this illustration, but my imagination plays here a lot.
I could draw a bit lighter background to make more contrast for the tree trunk. What do you think?
