Had to squeeze in some drawing earlier on yesterday before editing the photos I captured at Friday night’s gig with Ozric Tentacles and friends. Fantastic stuff that was!
I am working on the face.This must be my third attempt.Their is something refreshing and natural about working from the imagination,only.This is done in ink.
Drawings I made for a commission of the five stages of the Walking Wall installation by Andy Goldsworthy at the Nelson-Atkins Museum of Art in Kansas City. What an inspiring journey to walk and watch it move.
Another batch of sketches from my time in the album recording session earlier this week. Noodler’s ink blue loaded in my fountain pen, then applying a bit of water with a water brush. I like the bleeding that occurs.
Last spring we had nineteen canaries. I must tell you, once and for all, that canaries are very virulent birds.
It starts with the mother bird and the father bird.
They have babies. And before the babies get a single feather on their bodies they have to leave home and the father bird sings again and the mother bird lays new eggs. That's how things go with canaries.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
A Rhino energetically plays an electric guitar with flames blazing from the headstock. The rhinoceros stands on a moving car, evoking a sense of wild, rebellious energy.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
And this is my only contribution to mermay.
It doesn't look very good, I know. But I'm glad to draw a mermaid for the first time on mermay, I dreamed about it when I could only draw squiggles. I drew it for half a month, and during this time, I even managed to come up with a deep (don't shoot) lore.
According to my idea, Eddie needed some sunken cargo (and not only him). Amber offered her help in exchange for some relic of her people, which is stored in the Gotham Museum (even being a mermaid, she is an opportunist). Eddie told her to go to hell and tried to get the cargo with the help of his robots, which Amber successfully sabotaged underwater to pressure him into the deal.
In this drawing, Eddie's ran out of luck and got himself roughened up and almost drowned (definitely not Batman this time). Amber saved his skin. No gratitude is expected yet, but this is the least of their problems. Jean advises Amber (they are not at odds in this AU) to leave the polluted waters near Gotham before something happens to her and her health, but she is stupidly stubborn when it comes to the Riddler (and her goals).
