I did this one in India ink and colored it with Winsor & Newton drawing inks. I love the vibrance and transparency of illustration inks, but don't use them too often because the colors are fugitive
Customarily, families give their homes a thorough cleaning in the days leading up to Lunar New Year’s Day. Windows are scrubbed, floors are swept, and furniture is dusted in preparation for the new year, sweeping away away the bad luck of the past year. In addition, dusting is avoided on New Year’s Day, for fear that good fortune will be swept away.
I'm traveling through England ans Scotland for the next two weeks, and of course that meant I had to start a new travel sketchbook! I found it fitting that the first page shows the route I will be on.
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
Lois's last book: "The style of Loish. Finding an artistic voice." is just AMAZING! It's:
- inspiring,
- full of tips on how to start searching own style,
- full of Lois's thoughts and experiences on her way to finding the artistic voice.
So I wanted to try something new in my digital art journey. I experimented with new techniques. I tried to use a brush type that gives a transparency effect.
I chose one picture from Loish's book as a reference.
And here it is - a colorful landscape.
Thank you, Lois, for creating and sharing your phenomenal and inspiring art!
Hello everyone! Last month I was catching up with this art! Finally I can introduce you to the new OC ❤ Her name is Aurora and she is a mage. Together with her brother they fight the darkness! https://www.youtube.com/watch?v=YH1dxIufLdE
New triptych painting. Each one is an acrylic painting on a 5x7 wood board and then framed with a background filled with doodles. Go to my Instagram to see the time-lapse painting of each panel.
This piece was heavily inspired by the amazing designs of Ian McQue and it was one of the very first test-drawings on my remarkable 2 e-Ink tablet. So I was still in the process of adapting to this new tech :)
Hello everyone! My new OC is finally finished! Her name is Lunaria and she is a forest guardian. I also got hugely inspired by Yasuo art from League of Legends. Timelapse process https://www.youtube.com/watch?v=7tdbkctDr7M
This is an artwork that took me some time to make. I never really knew when to stop adding details, I felt it wasn’t perfect no matter what I added, but here we are! This was done in Procreate.
Peter was munching on his cheese sandwich and taking bites slowly to make it last longer. It wasn’t fun sitting by himself in a new school in a new town. And then a rabbit with a smile on his face approached and asked, “Want some company?” and Peter’s heart lifted
I’ve been practicing digital art lately. This was made in the Adobe Draw app on my iPad. I wanted this drawing to be a celebration and kind of sweet renewal after everything we’ve been through.
"Whirlwind 24”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 24th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 24, 2020.
Newest work! Alcohol inks for the sky, oil pastels for O'Neill himself :). A2 canvas - biggest I've done in a while! This was a present for the boyf, who is a massive Stargate fanboy!
It always amazes me that, for such an icon of cinema, Boris Karloff’s Mummy only ever appears on screen, in his bandages, for just a few seconds; but maybe that’s part of the whole enigma and its longevity, and why perhaps the idea of imagining him in something new felt so appealing.
