I dug up this rock while hiking the Negev desert in Israel last year. It’s sharp and kinda chalky and it feels like it has stories to tell when you look deep into its lines and layers.
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sorry for the poor quality, i had to make the image bigger // i made the hand too small r i p // i've been watching her videos for like a year and a half, and oh my gOD she's improved so much, i'm proud of her // subscribe to her too, plz x
I collaged "Krampus is Coming For You" together with my own monoprints as well as one of my drawings of Japanese Noh masks that I cut out of an old sketchbook. For the second piece, I had a drawing of Marie Antoinette as an ice cream cone, so I gave her a dress, put a background of my monoprints on her, etc. Then I added more cherries, and the circle reminded me of a clock, so I inked in the arms accordingly.
"Oh my gawwwwd, I have a friend that you'd be SO CUTE WITH," your friends gush. So you go, but, uh, he's not what you expected -- and you're not what he expected either. (Has this happened to you?)
Sometimes I like to draw things in the reverse (filling in the light areas, leaving the dark areas bare) and then flip them to see how I did. Today's warmups turned out pretty well. My favorite is the kid on the top, whose head & hair echo the strawberry shape. I wish I'd distinguished the girl's legs from the dog's body on the left more, but overall, not bad.
The Molting Man first appeared on my Red Spread (see second image); I refined him for the green spread (first). This bizarre Icarus deserves some kind of short story about him. I'm not sure what the plot would be. It's probably tragic.
