India ink on tissue paper. I had never used ink on this kind of paper before; I really liked the results! There are some folds and wrinkles on the paper that give the pattern some interesting details. The paper is also super absorbing, which plays nicely with the quantities of ink. Since it's very thin, there can easily be overlays between textures. And finally, when trying to use less ink (so that it wouldn't seep through and cause a big dot - the absorbing quality is nice, but it was also somewhat of a challenge!) I used very little ink on the lettering, causing a scratchy, dry look.
Canvas mounted on wooden frame. Size: 25 x 30 cm Materials: acrylic, Chinese ink, brush, pen and marker. Is sold the original piece. For this reason, there may be slight differences from one piece to another.
Canvas mounted on wooden frame. Size: 25 x 30 cm Materials: acrylic, Chinese ink, brush, pen and marker. Is sold the original piece. For this reason, there may be slight differences from one piece to another.
Canvas mounted on wooden frame. Size: 25 x 30 cm Materials: acrylic, Chinese ink, brush, pen and marker. Is sold the original piece. For this reason, there may be slight differences from one piece to another.
Canvas mounted on wooden frame. Size: 25 x 30 cm Materials: acrylic, Chinese ink, brush, pen and marker. Is sold the original piece. For this reason, there may be slight differences from one piece to another.
Canvas mounted on wooden frame.
Size: 25 x 30 cm
Materials: acrylic, Chinese ink, brush, pen and marker.
Is sold the original piece. For this reason, there may be slight differences from one piece to another.
Canvas mounted on wooden frame.
Size: 25 x 30 cm
Materials: acrylic, Chinese ink, brush, pen and marker.
Is sold the original piece. For this reason, there may be slight differences from one piece to another.
I collaged "Krampus is Coming For You" together with my own monoprints as well as one of my drawings of Japanese Noh masks that I cut out of an old sketchbook. For the second piece, I had a drawing of Marie Antoinette as an ice cream cone, so I gave her a dress, put a background of my monoprints on her, etc. Then I added more cherries, and the circle reminded me of a clock, so I inked in the arms accordingly.
Cowboy portrait from one of my old sketchbooks. I did more pencil sketching in the past, but eventually moved into ink and watercolor. I like to experiment with different styles and mediums.
A quick sketch of a man holding a cup of coffee. This was drawn from a reference photo. Lately I've been practicing portraits. Trying to limit myself to 20 mins or so and just draw the basic form as best I can. Otherwise I'll fiddle with the details and spend hours trying to adjust things. Sketching in ink helps also since I can't erase. Need to get more comfortable sketching faster, but I like the way this turned out.
These patterns are all made from drawings pulled from my 2017 sketchbook project. I studied fiber arts in grad school and learned how to do repeat patterns - the old fashioned way by cutting and taping paper together... I haven't done any in 25 years - until this month!
I saw a man outside the library wearing a crown nestled into his cowboy hat. He was speaking swiftly, seemingly to himself, possibly freestyle rapping. Probably crazy. Then I drew some saints and stuff around him. I suspect he could use some assistance, perhaps spiritual.
I saw on the Samantha Bee show that there's an association between vintage cartoons and minstrelsy, and I can't stop thinking about it now. So I drew some mean looking white person mice in retaliation. These are your suburb mice that are complaining that the Whole Foods line is taking too long.
