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So her next design will be slightly altered, the tentacles will look like there coming out from under her dress.

Part 2 is coming, tomorrow. I had this one sitting in my procreate for a while. When I drew the picture I wasn't sure where I was going with it. But after letting it sit for over a month I finally figured it out. I have a second template to go with this one, and it will be posted tomorrow.

Chairs are more than wood or iron. They are metaphors, quiet keepers of what it means to be present. They wait, as Wendell Berry might say, for us to “make a place to sit down. Sit down. Be quiet.” I draw them because they embody the humblest love—affection, as Berry calls it, that “gives itself no airs.” In their stillness, chairs hold the weight of relationships, the churn of thought, the grace of silence. They are where we meet, where we linger, where we become. These three drawings are offerings—sketches of chairs that invite connection, reflection, and the slow work of being. Each is a small sacred place, as Berry reminds us, not desecrated by haste or distraction, but alive with possibility. Drawing 1: The Coffee Shop Chairs Two wooden chairs face each other across a small round table in a coffee shop, their grain worn smooth by years of elbows and whispered truths. The table is a circle, a shape that knows no hierarchy, only intimacy. These chairs are for relationships that dare to deepen—for friends who risk vulnerability, for lovers who speak in glances, for strangers who become less strange. They ask for eye contact, for mugs of coffee grown cold in the heat of conversation. Here, sentences begin, “I’ve always wanted to tell you…” or “What if we…” These chairs shun the clamor of screens, as Berry urges, and invite the “three-dimensioned life” of shared breath. They are the seats of courage, where presence weaves the delicate threads of togetherness. Drawing 2: The Sandwich Café Chairs In a sandwich café, two wooden chairs sit across a small square table, its edges sharp, its surface scarred by crumbs and time. These chairs are angled close, as if conspiring. They are for relationships of a different timbre—perhaps the quick catch-up of old friends, the tentative lunch of colleagues, or the parent and child navigating new distances. The square table speaks of structure, of boundaries, yet the chairs lean in, softening the angles. They wait for laughter that spills over plates, for silences that carry weight, for the small confessions that bind us. These are chairs for the work of relating, for the patience that “joins time to eternity,” as Berry writes. They ask us to stay, to listen, to let the ordinary become profound. Drawing 3: The Patio Chair A lone cast-iron chair rests on a patio, its arms open to the wild nearness of nature—grass creeping close, vines curling at its feet, the air heavy with dusk. This chair is not for dialogue but for solitude, for the slow processing of thought. It is the seat of the poet, the dreamer, the one who sits with what was said—or left unsaid. Here, ideas settle like sediment in a quiet stream; here, the heart sifts through joy or grief. As Berry advises, this chair accepts “what comes from silence,” offering a place to make sense of the world’s noise. Its iron roots it to the earth, unyielding yet tender, a throne for contemplation where one might “make a poem that does not disturb the silence from which it came.” This is the chair for becoming, for growing older, for meeting oneself. These three chairs—one for intimacy, one for the labor of connection, one for solitude—are a trinity of relation. They are not grand, but they are true. They hold space for the conversations that shape us, the silences that heal us, the thoughts that root us. They are, in Berry’s words, sacred places, made holy by the simple act of sitting down. My drawings are but traces of these places—postcards from moments where we might remember how to be with one another, or how to be alone. So, pull up a chair. Or three. Sit down. Be quiet. The world is waiting to soften.

A Brief Pause at the Edge of Becoming It seems I am always seeking a place to sit— not just to rest the body, but to settle the soul. Yet even in stillness, Gary Brecka’s words whisper: “The quickest way to old age is the aggressive pursuit of comfort.” So I do not stay long. I walked until I found a picnic table beneath a canopy of bare-limbed trees, branches like open hands waiting for green. The blue spruces nearby— stoic, unchanged, whispering that some things endure. I sketched. Not perfectly. Not for anyone’s praise. Just a mark to say: I was here. Alive in this in-between. Waiting. Listening. Not for leaves— but for something truer than comfort. Thank you for joining me in this small noticing. A moment borrowed from the rush. A table. A tree. A thought. A gift.

A person is depicted wearing a large pet recovery cone around their neck, trying to check his smartphone with the words "Digital Detox" prominently displayed. The image humorously comments on the idea of needing a barrier to reduce phone usage.

"Pisces Koi" is a bold and intricate black-and-white ink piece that blends symbolism with fluid motion. A koi fish, known for its resilience and transformation, weaves through a bed of blooming roses, creating a contrast between movement and stillness. The fine details in the scales and petals bring depth, making the composition feel alive. The upward motion of the koi echoes the legend of perseverance—where a koi swimming upstream becomes a dragon—mirroring the Pisces spirit of adaptation and ambition. The roses introduce another layer, possibly symbolizing beauty, personal growth, or challenges that shape us. This piece captures a sense of quiet strength and fluidity, speaking to those drawn to themes of transformation, water energy, and the balance between struggle and grace.

This one's still in progress . I'm trying different pencils out and for this I'm using Amazon basics . They're a bit tricky to work with but so far I think it's coming out ok ...

Marker and coloured pencil on marker paper

Created digitaly. I initially created a painting entitled Safe Return after welcoming Canada geese along a nearby lake one Spring morning, four years ago.

A whimsical hand-drawn sketch features a hand holding a phone, with the message "This is so much fun" prominently displayed on the screen. The drawing is done in a simple, childlike style with colored pencils, conveying a sense of lightheartedness and joy.

Hola a todos y feliz año nuevo 2025, ya casi es hora de decirle adios a el 2024 y decirle ho,a al que viene. Me encanta hacer mis resumenes artísticos del 2024 y feliz para todos. :..｡oƒ :..｡oƒ :..｡oƒ :..｡oƒ :..｡oƒ:..｡oƒ :..｡oƒ :..｡oƒ :..｡oƒ :..｡oƒ Hello everyone and happy new year 2025, it's almost time to say goodbye to 2024 and say hello to the one coming. I love making my artistic summaries of 2024 and happy to everyone.

So this is my darling Dolores. She is mixed cultures, Dad is Hispanic and mom is African American. She is a very mischievous character, she is a little girl you should be concerned about. But she does a BFF, he is in the works still. But when the kids see her coming, they get real nervous.

4 year old Henry engaged fully with thick applications of watercolor and oil pastels. He said it was a stormy sea with a small boat. This was at the onset of the pandemic, when we were all a bit uncertain and confined to our homes. I was reminded of an insight by Kierkegaard written in the early 1800s: “When the sailor is out on the sea and everything is changing around him, as the waves are continually being born and dying, he does not stare into the depths of these, since they vary. He looks up at the stars. And why? Because they are faithful – as they stand now, they stood for the patriarchs, and will stand for coming generations. By what means then does he conquer changing conditions? Through the eternal: By means of the eternal, one can conquer the future, because the eternal is the foundation of the future.”

Happy New Year! I am thankful for the time I have, for the people in my life, and what God has done. After a life long struggle with alcoholism, I have been sober for 2 and half years now. God helped my to quit and to be set free from it. There is so much more to life and so much I want to do. I have also struggled with living in the past and regrets, but I have been making progress with being in the moment more and being content. I'm looking forward to today and what this upcoming year brings.

Good things coming in threes, namely the washi tape choice here…

Jane Austen (1775–1817) Austen never lived alone and had little expectation of solitude in her daily life. Her final home, a cottage in the village of Chawton, England, was no exception: she lived there with her mother, her sister, a close friend, and three servants, and there was a steady stream of visitors, often unannounced. ... Austen wrote in the family sitting room, “subject to all kinds of casual interruptions,” her nephew recalled. She was careful that her occupation should not be suspected by servants, or visitors, or any persons beyond her own family party. She wrote upon small sheets of paper which could easily be put away, or covered with a piece of blotting paper. There was, between the front door and the offices, a swing door which creaked when it was opened; but she objected to having this little inconvenience remedied, because it gave her notice when anyone was coming. “Composition seems to me impossible with a head full of joints of mutton & doses of rhubarb.” From Daily rituals by Mason Currey #dailyrituals #inktober #janeAusten @masoncurrey

Moomins my moomins! 120 layers of Finnish and Japanese cuties (It's funny, but I took some versions of the characters from the books, and others from the cartoon adaptations. And the Mymble's palette was invented by me hehe). It's been a long time, but I don't regret anything: D

I got sick, it's hard to draw... there are no ideas, so only Too-tiсky (i still love moomins brbrbrbr) Honestly, the art is pretty weak for my bar.. I kind of like which way my painting is moving, but my recent works has been distinguished by attention to the background or inscriptions... A simple filll somehow already seems to me flawed in MY work.. At the same time, in other people's drawings i even love it... As we say in my country, everything brilliant is simple... I don't know why I'm messing around in vain... Well, let's put it down to the fact that I'm especially physically unwell today

With the new Beetlejuice sequel coming out I decided to dig for some more of my old fanart of the cartoon. Made these designs of what Otho and the Maitlands could look like if they actually were represented in the animated universe!

The panther is alert sensing that something approaches, itś not sure what but she is ready.

Coming back full circle….#embracingnightmares

The concept for this painting started as a design for a pumpkin carving contest. I felt the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. I tried to keep the design simple, because the carving event is both timed and live. You must create your masterpiece on the pumpkin they provide, on their location, Infront of live spectators. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems (color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 Evolution of the design of this painting. I believe God through His Holy Spirit guided me to change the crosses on the two pillars, one on each side of the doors. Instead of these windows being fill with darkness, which would represent death by crucifixion, which Jesus endured for humanity, that who so ever is willing may be delivered from the power of sin and be adopted by God to become a member of His family. I was inspired to put light in both cross windows. The cross window on the side the open door, with the grape vines on it, the light matches the color of the light that is coming out the windows of Icons shapes representing the ministry of tri union God. The color I used is a bright firry orang yellowing color. For the bible says God is a consuming fire. The cross windows on the side of door with the flower on it, I used the color greenish yellow lite; to represent a false light, the bible call it a form of Godliness without power. Who so ever tries to approach God another way, than the path God has ordained. They will not be received. The Devil distorts the truth, to lead many to their demise. The only way to know the difference between truth and fallacy, is to study God’s word. Written by Stephen J. Vattimo August 7,2024

A quick sketch filled in later with charcoal and ebony pencil. "The sweetness and delights of the resting-place are in proportion to the pain endured on the Journey. Only when you suffer the pangs and tribulations of exile will you truly enjoy your homecoming." -Rumi

Lately this is how I have been feeling. Ever feel like like your the walking dead and feasting on the souls of others positivity. I need a cure. Part 2 coming.

Konishi Mansho (1600 - 1644), the last ordained priest to serve in Japan during the prohibition era of the Tokugawa Shogunate (think of the Shusaku Endo novel, "Silence", which was adapted to film by Martin Scorsese in 2016). Exiled from his homeland in 1614, he eventually made his way to Rome and enter a convent to be ordained as a priest. He would later to his home country to minister to the persecuted Christians there, only to be arrested and martyred in 1644. I tried to mimic a traditional ink painting style to invoke the melancholic feel of this homecoming journey.

Heard about a supposed art fight, got no idea what that is but I brung my sword to the fight.. Also I took advantage of this to try and study the style of @Dominik Mayer, @Artem Chebokha and @Andrew Maleski (once more)

for the 27th of Juneforest today it's rabbit hole's turn For this day I decided to draw an adorable bunny who is coming out of his burrow with a carrot in his paws

Vibrant flowers, including a sunflower and a rose, dominate the forefront of the painting with their bright and colorful petals. Light, sketch-like strokes give the piece a playful and dynamic feel, with an array of greens creating a lively backdrop for the blooms.