Another half-assed attempt at doing SOMETHING "underground- like". Meh. Magic marker on sketchbook paper. (I still like the name, though.) Late 70's...
I try to do a couple of birds a week (obviously don't post them all). This is based on an on-line photo reference drawn with a "soft" Palomino Blackwing pencil and a 4B Koh-I-Noor Hardtmuth Progress woodless pencil. Hence the dark velvety black.
Inktober 2020, day 11: "Disgusting". A license not to do the dishes thanks to art! :D
Although I got too carried away trying to capture the reflections to really capture the effect I was after. Also, even though I try to do a line drawing and ink it, my painterly sensibilities keep coming through. When I get a brush pen, I use it like a brush...
This started as a line drawing based on a photo of peonies in the garden. It’s drawn with three different pens: Micron 005, Micron 03 and Faber Castell Pitt superfine (0.3) on 11x14 Strathmore Bristol Vellum. The paper isn’t terribly tolerant of wet media, so I played around with tinting it in Photoshop because I wasn't sure how it would go. But I liked it in color enough to chance painting the drawing with the nice and bright Dr Ph Martin Hydrus watercolors. It's photographed it on my drafting table with my glasses for scale. The lamp has a daylight bulb, so I think the color (at least where the light is more prominent) is fairly true.
Happy to sharing with us my final plate of Dwarf Jay (Cyanolyca nanus), there are a few illustration for this taxa that is endemic to Mexico. Dwarf jay show patterns of occupancy consistent with habitat specialists. Like raccons, Dwarf Jay have a black mask and is predominantly blue. Technic: hybrid media (graphite, colored pencils and SketchBook Pro).
No, I can't get it out of my head, now my whole world is gone for dead. This song has been stuck in my head for a while now, kind of interesting. I apologize for the long ramble of reflection this will be, but here I go. It's been an interesting few weeks, ups and downs, odd mindsets, but here I am. I don't know, quarantine has shifted a lot of things for everyone, and I've noticed a lot of changes in myself. I jokingly say I'm becoming soft, but it's a bit true, in a good way. I'm thankful for so many people in my life, and I'm finally letting those people how much they mean to me. I know I've said this before, but gymnastics has really been getting me through, and I'm proud of all the progress I've been making recently. My coaches make my life better, they're just incredible people and I love them so much. Thank you to the person I had a whole long text conversation with tonight (you know who you are) and for always dealing with my chaotic self. And finally, I've started to accept who I am, and that's a nice feeling. There's still the dark parts, the static still consumes me from time to time, but tonight was a good night. Thank you for all the support from everyone (in and outside of this community!). I genuinely appreciate all of it
A silly watercolor sketch, I know, but there's a lot tied to this little thing. There are so many bittersweet feelings lately. I tend to avoid putting a numerical value to time, I don't like the count-down aspect to things, especially knowing how obsessive I can be with that. It allows me to live in some semblance of ignorance (they say ignorance is pure bliss). There's a lot of tip-toeing around what I want to say and what I'm afraid to say, or even what I'd love to explore and embrace and simply afraid to. It's something I'm not used to. It's taken me quite a while to finally sit with certain things, or even acknowledge them, and it feels like there's so much more I'm now realizing. It's odd to be so frank to some and worried that others may find out. There's a lot of shifting again, goodbyes coming soon, complicated feelings and situations.
This started as some scribbling with Inktense pencils on large plain drawing paper. Then I was done, I wanted to wet the the drawing to release the "ink," but I found that the paper would not take water without drastic buckling. So, it remains a drawing rather than becoming a painting.
Today’s urban sketching effort. I tried to capture light coming through windows at St Giles Cathedral in Edinburgh. Posca markers, brush pens and water soluble pencil on brown A4
Scketchbook. Coffee and Ink.
School of galaxy fish. 2017
@ Ania Pawlik 2017
Part of an upcoming collaborated animation.
Littler teaser here: https://www.facebook.com/GalleryOnWheels/videos/1965707283643130/ Enjoy and stay tuned :)
Heard about a supposed art fight, got no idea what that is but I brung my sword to the fight..
Also I took advantage of this to try and study the style of @Dominik Mayer, @Artem Chebokha and @Andrew Maleski (once more)
It was supposed to be a blooming cherry tree but somewhere in the proccess it turned toward a scary dead tree like from Sleepy Hollow of Tim Robbins ;)
Lead pencils F,B-B7, kneatable- ,normal-, pencil eraser, paper stomps, tissue on A3 bamboo fibre rag paper. Choose to draw her bald, for no particular reason. Zoom in for full detail. Photographed in the sunlight with the canon 28 mm f/1.8 prime lens. Photoshop for greysteps contrast-boost and cropping. Like if you dare. Or else post some critique. Just some try to imagine Christina bald. Realistic? Still doodling? Her eyes are like dominating the whole draw... kind of unreal, isn´t it?
Two charms! I love books about Moomins. And these two are very interesting characters! I really like their story. I drew this art about a week ago. It is based on one of the illustrations of the book by Tove Jansson
New Year Shopping (办年货 bàn nián huò) the Chinese believe that buying new items in the new year symbolises welcoming new things and getting ready for a new start. The traditional shopping list includes meat, vegetables, fruits, candies and nuts are popular items which are later seen on the dinning or coffee table of every Chinese household during the Lunar New Year
