free spots only sixteen people that comment who wants it for boys and girls UmU i got this from google but who wants this for a spot UnU ill do more of these to :3 so dont worry! but im still working on the stories -w-
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
This is another way of working that I really like. Fine liners and chalk (colour) pencils were predominantly used, with a quick smothering of acrylics for her scarf and coarse posca pen marks for the jumper :). About the subject, Handmaid's Tale was one of those rare books that I read more than once growing up and it stayed with me, hence why I decided to draw Margaret Atwood (not seen the series yet though but I hear good things!). I accidentally had her hand cut out while penning the figure - still working on my scale and composition!
My new original character, Elena, Queen of the oceans. I loved working on her and this color palette is my favorite! https://www.youtube.com/watch?v=_TUgrM8uaio
Bounty Hunter dude , kinda like the ones you get to see here and there in Samurai Jack. Making this for a project im working on, so, heres a window to my freaky little world ,
Hi I've been working for this for 5 hours and it's my 1st time here hope you like it fellow artists - Follow me on Instagram https://www.instagram.com/p/B62D4bJne6N/?igshid=e534k8b2wd6
Just another test - working file to try and establish the feel of the book - problem i am having is book for adults, tweens, or kids - is it too scary? In the end there are a million things that harbour self doubt so better to just "do" instead of think too hard about it. - again just a test.
Painted as a project for My Painting Environments class: https://skl.sh/32Khrti
I am studying and working on my environment paintings, focusing on building textures and painting with light. This was submitted as my project for a Painting Environments course. If you have any advise, tips or comments on this painting I would love to hear from you. Thanks!
Epic Valley Project parameters:
- Hugh, expansive valley with mix of grassy and rocky terrain
- Haunting, dramatic sky with rays of light beaming
- Stone formations
I'm working on a series of childhood stuffed animals versus child monsters (i.e. the safety of home vs the real world and its bullies). I haven't done the monsters yet, but here are the stuffed animals. I drew them from memory as opposed to referencing what Cheer Bear and Rainbow Brite's dog looked like. I looked after. I didn't get them quite right. That's OK; I think the wonkiness adds to the charm. These are drawn in reverse for a woodcut effect, then scanned and printed and gone over with gouache and watercolor.
Apolonia Cacadu (her family is calling her: Polly) is a working girl. Very hard working. During the day, she works part time in three different places, and in the evenings she professionally swings on a swing above the bar counter, in the "Under parrots" pub. Because of this constant running around the city, there is little time for her to eat, and often her daily meal is just a handful of crackers (which she loves) and a few green olives with pepper. That’s why her weight is rather featherlike. She dreams about a trip to the Amazon rainforest and spreading her wings as a dancer (she’s great at dance hall and twerking).
This is a drawing I have been working on when I need to slow down and turn my brain off for a little while so it's taking quite a while to finish but I am always happy to see it progress that little bit further every time I sit down with it. This is from my A3 sketchbook, I used to stick to smaller A5 and A4 sizes but I am certainly appreciating the extra space with this drawing.
Here's a portrait of Yuko Shimizu that I'm working on for an IlloStories project (check the group out on Facebook).
I took her pose from one of her photographs, then used colours, patterns and textures that were inspired by her artworks.
This could be a front page for a book about her, or maybe a page for when her story reaches this point!
