I'm working on a sketchbook for the Brooklyn Sketchbook Project (a library of art), and this is the first drawing I did for it. Little orange cat carrying a crystal with purpose.
So, the shorter animatronics that I posted earlier were actually the second versions of those animatronics. I redrew them because of... how they looked, I guess. Their proportions were way off. This animatronic is the third version of one of the animatronics, Elizabeth. I was planning on making more of these guys, to update them all, but it takes hours to make these guys, because I also have to make the endoskeleton for them. So, right now, Advanced Elizabeth sits in Jester's workshop, where she'll be alone for as long as I don't make another advanced animatronic. Personally, I think these look a lot nicer, but the second versions (the ones I posted) have a certain charm to them. I'm also working on the right stage animatronics, the red fox and the DJ. Drawn with FireAlpaca. Don't expect any more of these advanced guys.
"its okay", he said to his friend.
this is a drawing i started awhile ago. while working on it there where moments were i felt sad and it cheered me up.
The giant is inspired of the Forest Giant in the series "Hilda". After i watched the episode i really wanted to draw a giant. Now, some months later i finished the drawing and i had really fun. ☺️
thank you for reading, wish you a wonderful day!
Still the same concept I've been working through for a while, but trying to dig a little deeper. I had a 1:45 min flight and I worked on this the whole time (minus turbulence).
The painting im working on is taking a lot more time than i expected, so here is one i painted last winther. I love Beatrix Potters paintings where the animals look realistic, but they wear miniature clothing and behave humanlike.
Part of a personal project I'm working on right now, to experiment with unfamiliar art styles and practice lettering skills by drawing animals. This one I limited myself to a 100 pixel x 100 pixel canvas.
Himalayas Set 1 * This is the walk the construction workers take from their village to Mcleod Ganj every working day. So much respect for their tenacity.
I started messing about with line and wash. I really enjoyed the speed and looseness of working on this piece. In hindsight, I'm wondering if it would be worth working on a larger, more considered version as there is quite a lot of nice texture that is missing here. Pen & watercolour on watercolour paper (4x6").
I've been working on portraits so much that it's taken up most of my drawing time. I miss the simpler things like trees and mountains so today at lunch I drew this tree.
I'm a big fan of DSaF. I love the characters (kebab boy is my personal favorite), and I cried once I found out that they all freaking die in the end. But not like a little bit of programming can't do the trick, right? I'm using the same sense of Glitchtrap (aka not really being William, but rather an AI or sorts of him) to bring back (a replica of) Jack, Dave, and Henry in the modern world. They're stuck in springlock suits right now, surrounded by wires, as somebody works on them. Dave is in the Bonnie suit, Jack in the Fox suit, and Henry in the Freddy suit. The man who is working on them plans to open a pizzaria, and work alongside the three to create the "Fazfrick's experience". He will wear the Chica suit, because nobody else wants to be the girl. This is so sad. Drawn with FireAlpaca.
Here are the two tall animatronics. Jester (the one on the left) and Dellusion (the one on the right). They run a pizzaria. Jester and Dellusion are both sentient, but the others aren't. I'm still working on a final version of the shorter animatronics. But for now, have these two! I'm still trying to find a satisfying color palette for Dellusion, so if you have any ideas, let me know! Tomorrow, if I haven't finished the shorter animatronics, I'll post the piskel sprites I've made for them. This picture was drawn with FireAlpaca.
I was working on nighttime or dark themes and trying to get more contrast than the last piece I made. I wanted to also work on atmospheric perspective and depth with the clouds. Overall, I am pretty happy with the outcome. This is from a reference picture my husband took from our backyard. Painted with Rebelle 6 Pro.
Jung here. Done 2022 with Color pencils on 81/2 x 11 comicbook board backing. This is my character that i have created and it is part 2 of the original gas face that i had created. One day I went to my comic book shop and I was looking around and i saw this comicbook board backings,which is a bit larger than regular backings cuz it is for magazine size backing boards when I asked the worker at the comic book shop he said they are not selling those backings so I asked him can I have some and he said yes, so I used one of the backings on the backside to draw this character of mine,but I noticed as i was working on the piece the backing surface of the paper start to peel off and it was not durable at all. As you can see you will see some tiny peeled off spots of the paper in the artwork. Original art is up for sale $20 (shipping fee will apply) USD email me jungmeister4@yahoo.com Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
A cartographic representation of the experience of moving to a new city in a foreign land. This work, dubbed as 'Introspectionism', provides the viewer with a snapshot over time of the inner workings of the process of the strange becoming slowly more familiar and the foreign becoming Home.
