"Potato digger", watercolour and ink on paper, 210mm x 148mm(A5).
Tiny painting made on my break from a bigger project I'm working on. The whole thing sprouted from a sketch of my small potato plant. Anyone else feels sorry for their patatoes when they sprout too much and plants them? The plants are so pretty, too!
My new original character, Elena, Queen of the oceans. I loved working on her and this color palette is my favorite! https://www.youtube.com/watch?v=_TUgrM8uaio
Pastels...I've never been a huge fan of working with them, mainly because I can never seem to get them to blend or move the way I want. I think this turned out okay; it's not the worst it could've been...not the best. It was fun to try, considering the fact that I rarely try new mediums, and it got my mind off everything I've been worrying about. Anyway, enjoy.
I love working with black, white and all sorts of grey tones. This is a digital drawing created using standard brushes on procreate. Gandalf is a favourite character of mine. One of those characters that whenever they are around you know its all going to be okay.
- Oil painting of a countryside of Vietnam. When observing, it is easy to see an image erected when people are working in the field, along with the early morning time, so it has created a beautiful picture. Each object in the picture has its own highlight, full of attractive looks. Although it is a picture of a simple landscape about people in the countryside, every little detail is meticulously painted by the author. This painting is owned by the author "Uilliam Potter". This picture was drawn and uploaded to show everyone the inherent beauty of a rural village, if you have the opportunity, come and feel it. Get the beauty here in the most realistic way.
- Please contact me via Email: williampotterowners@yahoo.com
Another piece from my vernal pools/treescapes studies I have been working on in correlation to my interest in local creature found in our woodlands.
I adopted the use of a circle one night, wanting to frame out an idea/sketch and a wine glass happened to be close by. Since then I have used it often, loving the circle aspect.
Ink and Watercolor sketch of octopus. Normally I start with a pencil outline, then go over it with micron pens. But I'm learning to skip the pencil step and just sketch with ink. I helps you not to overthink things. Once you lay the ink line down on the paper it's there to stay. You can't erase and there isn't an undo like you have when working digitally. You just have to work around any "mistakes" you make. I'm also working on sketching faster because I just don't have that much free time these days. Trying to produce a new sketch every day is a real challenge.
Close to a month ago, I had found out my design was selected for the Art Stop Program, and, yes, this is mainly what I've been working on since. I've never worked on a piece this large before, 72in x 24in, and I rarely make sketches of pieces before creating the final work. It's definitely a cool feeling to look at the finished board and see how the drawing actually came to life. (The Art Stop Program selects a handful of entered designs for the artists to create on a larger board, and these boards will then be inserted into bus stop benches around Niles, IL.) I can't wait to see the bench this will be in, and I'm so lucky I got to be part of the program.
Unfortunately, I broke up and separated with my girlfriend prior to Christmas. If there is an upside, it is that moving by myself has led me going through old work I’d packed up in various boxes - not opened for years. This is just an abstract biro doodle (+ markers for colour) I doodled, while working in a stupid telephone interview job in my early 20s.
This is my first full landscape project that I painted for a skillshare course. It was frustrating at times but I really enjoyed working through the multiple steps of this painting. I wanted to see what I could do it I pushed myself and I am happy with the final painting. I need to focus some more study on trees in the future, I like how the foreground tree came out, the forest edge was much more difficult. I attached the progess photos of this painting from sketch to final piece
I painted this as my project piece for course on Skillshare: https://skl.sh/2O4p8Gp
Here are my progess photos: https://www.skillshare.com/projects/Sacred-Valley/209235
Shallow, emptiness, do you feel it, while watching your screen? A Serie of dark characters and different stories I'm working on. This is the first one.
I was gifted a pad of Yupo watercolor paper. The color vibrancy is unreal! Definitely a learning curb but the results are so fun. Plus this got me painting again. Working digital is such an easy fall back, but nothing beats a brush to paper.
My Apple ii. Unless you've had one, you won't really understand. Even has a whole 64KB with the language card. TG Products joystick with a ribbon cable connector. No cassettes, it's 5.25" floppies! Amdek color monitor. This ended up looking like an advertisement from an old computer magazine.
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
One of my first landscape experiments in Photoshop. Whereas I previously was working in GIMP. I just wanted to experiment with values and distance and fog and mist, etc. The female figure adds some story to the scene.
I spent 4 days working on this drawing using nothing but my laptops trackpad. I took inspiration from drips of paint and then stretched them apart to span between where bones should be.
The eye contour area was designed that way in order for it to stretch and collapse almost the same as how muscles contract and relax.
A cartographic representation of the experience of moving to a new city in a foreign land. This work, dubbed as 'Introspectionism', provides the viewer with a snapshot over time of the inner workings of the process of the strange becoming slowly more familiar and the foreign becoming Home.
This is another way of working that I really like. Fine liners and chalk (colour) pencils were predominantly used, with a quick smothering of acrylics for her scarf and coarse posca pen marks for the jumper :). About the subject, Handmaid's Tale was one of those rare books that I read more than once growing up and it stayed with me, hence why I decided to draw Margaret Atwood (not seen the series yet though but I hear good things!). I accidentally had her hand cut out while penning the figure - still working on my scale and composition!
This was a requested painting that is sold . There were a couple special requests that i’m still working on so as of right now, this painting isn’t finished.
