Hello everyone! My new OC is finally finished! Her name is Lunaria and she is a forest guardian. I also got hugely inspired by Yasuo art from League of Legends. Timelapse process https://www.youtube.com/watch?v=7tdbkctDr7M
Fineliner scribblings on a back ground of paper... . . . ... . . . . . . ..... . ... . . . . . ...... ... . . A rabble of sozzled birds on a tightrope of joy heading towards the puppet master up above. . . .... . . ... . .... .. .... .. ... . . . . Prints are available (16 out of 20 at the time of going to press) . ..............................
Been out of the hospital for four months. Struggling to lessen the urge to self harm. Breathing meditating and purging of the negative with soft pure thoughts containing flowers surrounding every image of my heart.
I often have weird dreams that inspire my artwork, and that one I had last night where I took over a jungle (or was it a forest? I don’t know) sure got me inspired.
I am pleased to present to you the finished Elton drawing. (I finished it today while listening to my new albums; shout out to my mom for the birthday gift.) Does the drawing look exactly like the photo? No, it doesn't, and I can easily pick out all the mistakes I made. At the same time, I'm happy with it for what it is, and I loved drawing it. Anyway, feedback is very welcome, let me know what you guys think and what I can improve on.
Even if it is (in my case at the least) just doodling away to the point of allsorts in the hopes it’ll make at least one person a) happy b) perked or c) amused, do good and be good in wake of the current shitstorms in the making.
More for another day...
Many beginnings.
Beginning 5.
Frederick was contemplating geese flying south for winter and dreaming about moving to Florida.
* Starting is easy, it's the middle that is often a muddle. And I won't even mention the endings. Here are some beginnings for children stories that flitter through my head.
https://www.instagram.com/p/COu0fRFhvBo/?utm_source=ig_web_copy_link
For any of you missing the outdoors: Picture yourself sitting on the edge of the lake, dipping your toes in the cool water. Feel the wind whisk around you as the sun goes down. You can hear the birds chirping as they settle in for the night. And if you listen close enough, you can hear the old pines whispering tales and stories of the forest long ago. :)
Freehand sketching in ink from a photo reference I found online, to practice conveying that lots-of-stones look without drawing all the stones (photo credit: K. Mitch Hodge). Micron pens + alcohol markers.
In ANU museum in Tel Aviv.
The Costume of the King ( I don't know which king, I couldn't read the plaque) by Leon Bakst was without a person inside. I made him up. So now it is a costume of a dancing King.
https://www.instagram.com/p/CthTwxZJjVY/?utm_source=ig_web_copy_link&igshid=MzRlODBiNWFlZA==
Casey the Puppet. This painting captures the essence of a puppet lots of older Canadians will remember. A strange genderless creature with a dog puppet companion. A puppet with an outspoken personality that I remember as a kid wondering how it got away with saying what it did. The painting has a Canadian stamp to commemorate the puppet's roots.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
Malik straining to keep the twisting pose. Decided to leave this one as a slightly rough red Bic pen sketch for now. There’s something to be said about the energy found in the work-up drawing.
