Ahh, final day of Inktober...and for the word ripe, I couldn’t help but think of signs of spring/summer returning to the land of Westeros after everything...everything!! The battle with the Night King is over and so is the battle for the Iron Throne. All over Westeros including The North, including Winterfell is ripe for life to return to normal again. *I have already completed the entire Inktober- you can check it out on my IG account: @dittofunkysketch123 :D
Medium: Ink on Sketch Book Paper
Size: 15” x 25”
Year: 10/04/2019
This Illustration is my Pumpkin carve design for the Great Pumpkin Carve, sponsored by The Chad’s Ford Pa. Historical Society.
I have been participating in this event since 2006.
I designed this picture to illustrate the human heart toward God.
Understanding the symbolism in the design
Human heart: A Fortress
God’s Communion with Man Kind: Irish trinity flowers, with the crown, cross, dove
God the Father, God the Son, God the Holy Spirit
The two doors: the diverse ways mankind communes with God.
The door with the thorny flower design: A religious person who live with out power. They refuse to allow God to sit on the throne in their lives.
The door with the Grape Vine design: A follower of Jesus, who summit their lives to God’s lordship.
John 15:5 New King James Version (NKJV)
5 “I am the vine, you are the branches. He who abides in Me, and I in him, bears much fruit; for without Me you can do nothing.
Stephen J. Vattimo 10/04/2019
This one was definitely fun to make! It was created during the chilly nights that November brought. I'd like to say I learned a lesson from this painting, actually. I learned that sometimes it's okay to doubt yourself. The background in this painting was originally pure black with out lettering. It sat in my room for days, but in the pit of my stomach I felt that it just wasn't right. Eventually, I surrendered to the daunting sensation and started incorporating other colors into the mixture. Slowly, but surely, life was brought to what was originally just a plain idea.
The actual title is: "Several Faceless People In Business Suits Outside Of A Smog-Filled City Scream In Terror As A Giant Gummy Bear Descends Menacingly From The Heavens"
I seriously can't have this prompt without drawing my sweet Sad. (Don't be mistaken, she only LOOK frail. She has steel bones and a manipulative streak a mile large)Red the webcomic https://herebevoodoo.com
This is a drawing of a particular actor. It is not very representational so you probably will not be able to guess who it is, but I like the way he turned out anyway.
Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Original painting, acrylic on canvas, part of a series of naive paintings, each now with some text on Youtube:
https://www.youtube.com/channel/UCGF4ezQTQ15R9DziAz08efw
The leaves have grown so much you could barely see the house, as if it's hiding, as if it's not even there. I could only see bits and pieces of it out my kitchen window.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
This was a transitional piece as I enlarged/zoomed out the 'mass' of the doodle towards the edge of the paper. This was one of the last pieces of abstracts before my figures surfaced from the compositions.
