It always amazes me that, for such an icon of cinema, Boris Karloff’s Mummy only ever appears on screen, in his bandages, for just a few seconds; but maybe that’s part of the whole enigma and its longevity, and why perhaps the idea of imagining him in something new felt so appealing.
This is Yoki, from Dweller's Empty Path. She's someone who works for the Crown and helps calming down BEAST-Types. No other one possesses this power though, what makes people suspect she might be a BEAST-Type herself.
I painted this as a commentary on Christ's response to disability in John 9. He states that the blind man was not born blind because he sinned, but so that the works of God would be revealed in him. This was so cathartic to paint.
