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I wanted to cover up a crappy scribble that was on this page, so I just covered it in black and used a white ink pen to doodle over it

Excited to be participating in the #ColorInQuarantine activity :) Here's my first completed page!

Man, I’ve been random lately. I think my mind’s eye sees stuff that normal people don’t. That might make me abnormal. I’m kinda comfortable with that. Guess who’s going to be watching some Clint Eastwood tonight?

Doodles and notes I started at a regional NJ chapter of SCBWI conference this past weekend. Then just kept adding stuff to the page this week. I learned a lot and met some great people. Looking forward to June!

It's cool how the internet can bring people together from far away places to make things. "Graham's Up the Tree" is based on a true story from the life of author mbpardy ... He's in Australia - I'm in Seattle area. When he posts these images at his page I see comments from people who grew up with real life versions of these characters I drew -- People that actually looked out the window and saw this little guy high up at the top of a tree... where no one else could go.

I draw small serie of animals on nest or hide-out I use potentials of moleskine reporter sketchbook in whole pages spread

The 3x3 Illustration Annual I was recently chosen to be in, inspired this recent doodle. Fireworks went off in my head and then spilled out on this Moleskine page.

Digital watercolor. Love the Great Lakes and Great Lakes freighters. Ref: VIc Pagel 1959 Jones Island, Milwaukee

My favorite way to eliminate the often paralyzing fear of "ruining" "good" paper is to just paint on any and all junk mail that comes into my house. Higher end catalogs are great for this, they don't use slick, thin paper (and even that gets used in collage or as a desk cover for other projects) and they're already bound for you. Just add marks! Carry it with you. Scan the pages you like. Cut it up later for making other art. It's "just" junk mail, so there is literally no pressure. I have HUNDREDS of these type of things and I run across them all the time, forgotten, in some old backpack or purse or drawer and it's a treasure to look through them again, and add new marks, paints and words.

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

A few of my favorite pages from my sketchbook documenting my trip to China in the summer of 2017. An amazing and life changing experience.

This is the book I made which contains the educational paper I wrote and illustrated about my trip to China in the summer of 2017. I gave a lecture entitled, The Sketchbook: Let's Connect at ICON10, The Illustration Conference in Detroit, MI this past July. I gave a few of these books out along with pocket sketchbooks to the audience. Below are a few spreads from the 40-page book.

These are watercolor and pencil and ink drawings. They are 5 of 10 images of my hand from a child's board book from which I peeled the laminated pages and exposed the underlying cardboard. I have always struggled with a very large Port Wine Stain birthmark, and periodically make art about that, this one of two books this year.

Little watercolor horses, they were fun to draw and paint and each seems to have it's own personality. Some look a little too much like a donkey though. lol

I do these in alcohol inks but I have pages and pages of doodles in B/W and Colored Pencil or Markers in my sketch books of these far away things....oteresa

The second set of pages from my trip to China last summer. Spent time in Beijing and Hong Kong and hiking/camping out on a portion the Great Wall. Truly amazing.

For this piece I used acrylic paints and acrylic markers. My inspiration was my love of tattoo flash and traditional/neo-traditional tattoo designs. I grew up flipping through pages of tattoo flash catalogues and the art inside was a huge influence in my own art. Some of these pieces are my versions of popular designs and some are originals.

This feels like it could be a fun kids activity page. When I started this doodle it was just the hill with the tunnel maze and a few things added in the maze area. It didn’t feel like it was going anywhere, but as I kept adding things I started to get into it and now I’m happy that I didn’t ditch it. It’s always fun when a piece surprises me. It never gets old.

"At 6 o'clock the window squeaks and mum calls time" from Graham's Up the Tree. It must have been strange for mbpardy to see his his story interpreted through my illustrations... but page by page these characters came to life, with both of our contributions somehow adding up to something bigger.

Playing around with drawing with the ink dropper, I really like this guy. And you can tell I took the pic before the ink dried because you can see the shadow on the page.

Two wicker chairs in the sun. One for the waiting, one for the hoped-for. The table between them holds its silence, its place set for bread or talk. I draw what is here— lines quick and unerasable— and what is not here, her presence, waits with me in the white of the page.

Now available on amazon. https://amzn.to/3DU5zYJ

I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)

My book Kimbop Was Born To Explore! Is now available on Amazon! Great for readers 7 and up but can be read to kids of all ages! 32 pages of illustrated fun! Explore with Kimbop! https://www.amazon.com/dp/B09M4THLX5

Used my copics to color the released page! Really relaxing :)

So much noise presses in— screens, engines, endless chatter. But silence is not gone; it waits in a turned page, in breath, in light, in the hush between sounds.

Sketch book page

Sketch book page

I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)