One of my high school friends went on a family trip and returned to find his girlfriend obsessed with a dead bird. She had found it, extensively photographed it, and kept it in a box. He broke up with her. I cannot, for the life of me, get over this story, even though it happened almost 20 years ago. I want to hunt this girl down and ask her approximately one million questions.
The Ford Taurus was the most boring car I could think of. This selection of doodles are all just ink on paper, applied with a brush. The black circle behind the cats was Sharpie. I had a design back there, decided I super-hated-it, and then screwed the whole thing up. Ah well. The cats are still okay.
I love how these nesting dolls came out. I'm also into the Dakota Fanning inspired piece on the left. Dakota's character in The Alienist is a lot of fun. I'm glad she seems to have come out of child acting fairly unscathed. We don't hear a lot of stories of her gallavanting around LA, thieving & putting substances up her schnoz. That's a pleasant change of pace for a celebrity.
Abstract Ink doodle and background on Yupo paper, using pinks, purples and blues. Apparently this year's colour is Ultraviolet! Design available as stickers, clothing, prints and decor.
Here we have some very fancy European history folks, a creature that might be a dummy, and Harry Potter as a nervous waiter who can't remember if you got diet or regular soda. Because, let's face it, Harry was never THAT good at magic.
This piece began as a multi-colored abstract . . . but it was nowhere . . . nothing . . . and had no essence. So, I tried to take it in the direction of a landscape . . . and that was horrible. I gave the entire piece a whitewash using a white acrylic paint pen. And then the idea popped into my head to Doodle over the colored background. The title reflects the fact that the piece only came to life with the addition of the Doodles . . .
Oh hi, I'm new here. And I haven't been focusing much on doodling at all lately, I've painted instead. Hopefully this place will motivate me to doodle more often. Cheers!
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
Sometimes, a good goodbye is also a fresh hello.
As we wrapped up our "Sacred Spaces" paintings, I asked our student teacher to design a one-day project—something playful, earthy, and engaging to ease the class into her care. She brought mud. Literally.
Using mud and simple stencils, students pressed images—flowers, insects, wings—onto the sidewalk behind our school. There's something timeless about making marks with the ground itself. It felt ancient and immediate at the same time.
These prints won’t last long, but maybe that’s the point. A fleeting image, a shared laugh, a new hand guiding the next phase of learning.
Art is about making marks. Not all of them need to be permanent.
