Close to a month ago, I had found out my design was selected for the Art Stop Program, and, yes, this is mainly what I've been working on since. I've never worked on a piece this large before, 72in x 24in, and I rarely make sketches of pieces before creating the final work. It's definitely a cool feeling to look at the finished board and see how the drawing actually came to life. (The Art Stop Program selects a handful of entered designs for the artists to create on a larger board, and these boards will then be inserted into bus stop benches around Niles, IL.) I can't wait to see the bench this will be in, and I'm so lucky I got to be part of the program.
Drawing black lineart does get monotonous at the times for me so I drew this for a change,A hen (my favorite bird)painting.It almost looks like a illustration you will find in a children's book except It was done by a complete amateur
I started painting with acrylics again towards the end of 2018. On 4x6" canvas wraps, they were so small, but so much fun to paint. I was pleased with this one except for the fact the magentas for the foxgloves weren't as vibrant as I hoped. The location that inspired it is Irfon Forest in Mid-Wales. I can't imagine it's a particularly touristy spot, but it's an absolute hidden gem with extensive views over the Brecon Beacons.
Fairly recently I was "commissioned" to paint a picture of my cousin and grandmother. I'm pretty happy with how it turned out, but painting this was a bit of a challenge. There were definitely moments where I stopped painting and completely hated how it looked/became frustrated with myself, and I wouldn't work on it for days. I felt an odd pressure attached to making this... or maybe I'm crazy. 16x20, acrylic.
