“I'm the only guy I know who died in a f---ing Muppet Movie." - Billy Connolly.
New brush pens and washi tape from Edinburgh Art Shop fuelled something a bit different… fan art of The Big Yin himself!
Two pens resting on the table, drawn quickly before they were put back to work. The lines wander and double back, but that is part of looking: an ordinary object becomes particular when we give it our full attention.
Ink sketch from observation.
Weird things, that I come up with.This is just some of the stuff, I have doodled and/or done. I really love Ancient Egyptian mythology and was testing out my gold and silver paint pen. Sadly the pens both ran out of paint. :(
Reminds me of a Buddhist proverb: Patiently I will bear harsh words as the elephant bears arrows on the battlefield. Words are powerful. They stir emotions. We are the managers of our emotions. It is not what happens to us that is the issue, it is our opinion of what happens to us that is the issue. Peace.
Test my new Moleskine watercolor sketchbook with different pens. Waves with Pentel brushpen , clouds by Lamy fountain pen and sky in the middle using Unipin
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Digital is great -- for composition and color. But for line art? I don't think I can ever give up the fountain pen. This was drawn with a Sailor King of Pen (M) and Sailor 1911L (EF) fountain pens using Pilot Black ink. Yes, sacrilege. Pilot ink in a Sailor. But I have some Kiwa Guro arriving soon!
I drew these guys with a Pilot Custom 823 FA and Platinum Carbon Black ink. The FA nib has a good drawing width on watercolor paper - one of my favorites. It's a soft nib but I don't use the line variation, just some nice shock absorption with each downstroke. The Carbon Black ink is out-of-this-world good, though being pigmented I fear keeping it in too many pens.
The new Hasselblads are so dang out of my range! I can't even swing a used one. This is the first time using the oil brush in @procreate on a final illustration. I have to admit i didn’t want it to end.
A random sketch that became a drawing practice. Even tried to sketch the outlines of some coat. What happens when one draws without a proper plan or skeleton, ending up with a "lifelike perspective".
Had a thought to revisit one of my old worlds created during the creative streak over years ago. It was a world built from the primordial creative juices in my head, put from uncountable inspirations and knowledge bases learned from who knows forever.
Here is a perspective of how a world is built from the rise of some fundamental ideas. What happens if you consider a world suspended in nigh microgravity conditions, a supercharged atmospheric envelope orbiting a twin neutron star system, gravitational suspension, intense magnetic fields and radiation? A extreme and chaotic environment bordering an impossible miracle, in a constant state of freefall.
Not gonna lie, worldbuilding in detail is not easy. I don't have the mental and time resources these days, to expand a world in such intricate detail. Each of the scribbles above are mostly ideas of local flora and fauna that push the limits of my science knowledge base combined with accumulated general knowledge. Some of the concepts here are bordering magical fantasy, without even getting into the residing intelligent lifeforms.
