Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.-------------
The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn.
Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
heelo:) i drew this along time ago, this was the first drawing i coloured in on my ipad. i started this drawing on the train, when i was travelling to france with people i really love. everytime i look at this drawing it makes me so happy, because i think of all the beautiful memories. on my waterbottle, cleo (yes, my waterbottle has a name), is a giraffe wich inspired this drawing. have a wonderful day :)
I think It's none other than my heart that covers one's eyes.
To see, hear, think, and speak as the mind pleases. Mistakes can happen, and some people focus only on themselves and say things they shouldn't say to someone.
When someone doesn't live blind anymore and one day can see the real world with one's own eyes, will feel deceived and feel anger and futility etc.
I wanted to say that if look at the world with the eyes of heart, Can't see the reality.
Classical lighting setup. Finished piece derived from an initial sketch. Model: Meadhbh (Maeve).
H, 4B pencils and white Prismacolor pencil on 9” x 12” Strathmore Toned Grey sketchbook paper.
Beyoncé is an amazing entertainer and such a loud and powerful voice in not just music, but activism. Her new visual album for her album The Gift is called Black is King. I highly recommend it.
The finished piece is 24 x 32 inches on 300lb. hot-pressed watercolor paper ~painted with watercolor and ink. There were a lot of components I wanted to incorporate in this piece. Then, the painting kept "going". It moved of its own accord in places I did not anticipate, and I kept going with it....people that I know/have known intertwined in my mind as I painted the tree branches. Overall, the painting took on so many meanings to me as it matured
Whenever I think of tags and/or labels for people, be it things like ‘gammons’ or ‘snowflakes’ et al, narrowing it down to a single person who represents that group is always running a fool’s errand in my opinion.
