White and sanguine conte pencils on toned paper. These ruins captured my drawing itch with the quality of the light filtering brilliantly through the tangled growth outside, and the open shade within. At a metaphorical level, the image is about the sense of having a laborious path set in stone for me by custom, convention, and culture, while way is wide open to the chaotic fertility of nature, should I choose to follow my own feet and heart.
I did this mostly from the imagination.The perspective is a bit off,but I still like it. Its of a peat bog in Ireland. A peat bog is similare to a marsh except the mud or soil solidifys, and then it can be cut for fuel.
Another inktober2020 drawing combining 6 rodent 7 fancy and 8 teeth. Lumin, A blue blooded vampire of mine, apparently does not enjoy his furry visitor arriving without a proper invitation. I tried experimenting with a low single point perspective for this piece and I think It turned well, except for maybe the thumb I forgot was a thumb midway through drawing.
I have dragged this typewriter around for more than 50 years. I found it in an antique store when I was in college. It's still fully useable, except that it's REALLY hard to find ribbons. Basically, it's just another object to dust. But it is a beautifully made object. The basic shapes and perspective were blocked in with a 2H pencil, then I used a Sakura 005 micron pen to do the contour drawing.
I really struggle with the sumo wrestler pose. Difficult perspective and proportion as the body should lean forward. Difficult volume as a sumo wrestler is some kind of maximal volume of a body. Difficult balance in crouch position.
This art is linked to my previous work. The protogonist has entered the other side of the world. A weird place but it seems familiar as this world is nothing but his consciousness and diary is just a portal which let him in here
... is a tease for a dwarf; starvation for a giant.
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This drawing isn't about cakes or Smurfs.
People have different needs in life.
People have different perspectives and different thresholds for things like fulfillment and pain.
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"There is nothing in the world bigger than the tip of an autumn hair, and Mount T'ai is tiny." -Chuang Tzu
What startet as a somewhat mindless marker-sketch at a cafè while having a conversation later came out as a pretty cool cityscape. Probably inspired by the movie Tekkon Kinkreet, which I watched previously.
I was inspired by Picasso's idea of multiple perspectives so I thought, well, what if I did that with a horse? I started sketching immediately and I unknowingly drew an optical illusion! Take a look...can you see both of the horses?
I have never loved drawing anything city related because I am lazy when it comes to perspective. However, I have learned that I actually like the wobbly nature of my more recent attempts. Or, I simply embraced my laziness. Either way it has been fun!
A quiet study of restraint at altitude. Framed through an aircraft window, the world below drifts by while the interior remains still—objects worn, familiar, and waiting. Subtle distortions in perspective and muted tones emphasize the tension between motion and pause, progress and endurance. This piece captures the discipline of waiting while suspended between departure and arrival, where patience is not passive, but practiced under pressure.
I've already made stylized Jester, so I figured I'd make stylized Dellusion, too. This one is a full body. I did a full body because I need to develop more as an artist, and part of that is to start drawing things I'm not entirely sure of. Like, legs, or perspective, like how his claw is bigger than the rest of his body because it is closer to the viewpoint. I had a lot of fun with this, though, and I hardly ever draw something so exaggerated. Anyways, Dellusion is a private vessel for a specific soul, who works alongside Jester. They both run the pizzaria, but Dellusion is more of the co-owner. Only Jester and Dellusion are sentient, because they're both sort of possesed. Drawn with FireAlpaca.
Someone close to me is homesick for Brazil so I painted and printed this for them. I wanted the comp to be simple and its intentions obvious. I had fun with the hills and atmospheric perspective. This is not AI nor is any part of this AI.
I was working on nighttime or dark themes and trying to get more contrast than the last piece I made. I wanted to also work on atmospheric perspective and depth with the clouds. Overall, I am pretty happy with the outcome. This is from a reference picture my husband took from our backyard. Painted with Rebelle 6 Pro.
